Source: Elements of the Esker
A couple of weeks ago Morris-based naturalist, Dave Jungst, posted some of his true-to-scale photographs showing Prairie Smoke nestled amongst an interesting looking white flower.
After some thought I asked him about the flower and his location. Moments later he responded with the name not only of the flower (Pussy Toes) but also the location. That turned out to be the Lake Johanna Esker, a glacial sand and gravel ridge about two miles east of the Ordway Prairie in Polk County … both part of Nature Conservancy holdings.
Though it is a challenge to locate, the esker is no secret. Yet it is new to me. Thankfully Dave is open to sharing these sites with me. Last summer he led me to some Yellow Lady Slippers, one of the flowers I’ve wanted to photograph for years, although he was very protective of both the location and of the flowers. This remains a secret site between us.
He did seem a little taken back when I published the images. “Wow,” he wrote of the short prairie orchids. “You made them so huge!” As a true naturalist Dave’s intentions are to record photographically in correct dimension and ecological accuracy. My work is more impressionistic, blending form, light and composition into hopefully an interesting image. Our work is different though complimentary.
A week ago my first trip was made to the esker, and after several attempts at trying to find the correct country road I rediscovered the beauty of cell phone communication. Once Dave established where we were he was able to direct us to the correct county gravel road. We were several miles off, actually. Even with that we nearly passed right by the little parking lot. Once we were out of the car and walking across the gravely terrain, the carpet of wildflowers was unbelievable in richness and number. Pussy Toes dominated the area with as many Prairie Smoke poking through as I’ve likely seen in my lifetime, a perfect pinkish and spiky contrast to the muted whiteness of the Pussy Toes.
Although we began the trip from Listening Stones Farm to coincide with the lowering evening light, we barely had 30 minutes to really work with the camera before dusk settled in. Too many gravel roads, I suppose; too much indecision and exploration. My images were made with a nice softness, yet just a little more light would have surely helped create a deeper depth of field.
This past Sunday we were greeted with a hazy whiteness that seemed to linger through early afternoon, a day that began with my meeting up with my dear friend, Tom Cherveny, and his granddaughter, Ella, to paddle and fly fish Mountain Lake at Glacial Lakes State Park. A gusty prairie wind made it challenging to hold positions for long, yet a nice largemouth fell victim to one of my fly presentations as did several small bluegill. Tom and his family planned to leave shortly after lunch, and my thoughts turned to the esker and the Prairie Smoke. The two Prairie Smoke plants in my native prairie garden was just starting to show tendrils and had sparked an idea.
What, I wondered, would an image look like if you could combine this hazy whiteness of light with the just emerged tendrils of the Prairie Smoke, surrounded by the vast carpet of white Pussy Toes? So I ventured through the countryside from the State Park through Glenwood, down 104 toward the Ordway Prairie. This time the gravel road was much easier to find, and it weaved through the woody hills of the glacial shield toward the esker. As typical for photographers, my concern was the light. Was there enough for contrast? Would there be too much contrast to offset the softness? Would the Pussy Toes have disappeared into dormancy?
My first impression after hopping out of the River Truck was that I was both too late and too early. From the appearance of the Prairie Smoke, it appeared I was too early. Very few had moved into the tendril stage. And, yes, the Pussy Toes that had dominated a week before had pretty much shut down. Especially on the higher ground.
Fortunately there was enough emergence of new flower species to help offset my disappointment as I ventured over the esker. After about an hour of shooting and looking I actually found just what I was looking for … albeit a bit muted. There were enough Pussy Toes to give a sense of whiteness, though nothing like the week before.
I laid in the prairie focusing, waiting out wind gusts, and eventually made about four of what appeared to be sharp images of three finely placed Prairie Smoke spikes with wavy tendrils. That was it. No matter which direction I turned I could find nothing to match these three. While the images weren’t exactly what I had envisioned, and what had inspired my driving another hour east further from the farm, as I walked toward the River Truck I was feeling rather pleased.
That happens when you’ve come close to capturing an image you’re envisioned. Overall it was a pretty nice day. One spent with an old friend fly fishing a motor-less lake, lipping a really nice bass on a fly, capturing my image in soft whiteness, then sharing a good, dry white wine on the deck of the farm house with my dear woman friend, Wanda. Life, as they say, is good.
Source: An Artist Retreat
While I find myself somewhat mystified when newcomers compare and complain of having “nothing to do” here in our little corner of the prairie, I can also relate. Some 20 years ago I wore those same shoes.
Over time I’ve become more connected. Now there is hardly time to keep up with everything seemingly going on concurrently. This is just scratching the surface, for there are rivers to paddle and fish to catch, either by kayaking with my fly rod, or doing some river bank angling for my favored channel catfish. Nowadays I’m also connected with the area-wide arts community, and this weekend was chock full of activity. Once again.
In terms of culinary arts, Audrey Arner held her annual “Grasp the Nettle” where she introduces “foodies” to the goods of the prairie wild, from nettles to morel mushrooms.
Kathy Marihart also opened her new “Smallest Art Gallery” on the main street of Ortonville with the first class of the season featuring an incredible artist, Naomi Shanti Ballard, working with young elementary artists from the two-state area.
In New London, potter Bill Gossman worked with Goats Ridge Brewing, the town’s craft brewer, to work with customers in decorating beer steins that he will fire in his wood fired kiln.
I suspect the list goes on.
Further on down the prairie some 50 or so of us artists gathered for the annual Southwest Minnesota Arts Council’s (SMAC) Artist’s Retreat. This two day, overnight gathering at the unique Danebod Folk School in Tyler was a multicultural event featuring a mix of native American artists and others that I found helpful, entertaining, fun and inspiring. Unfortunately, it was also rather limiting since the event offered a packed schedule with more classes than you could possibly attend, often concurrently.
Our gathering session was a presentation by the Heart of the Beast Puppet and Mask Theatre on “The Way of the Monarch.” This was my third “instructional” presentation by Heart of the Beast and all have left me humbled by both the puppetry and the message, and one that equaled an Earth Day presentation years ago on clean water.
Our first afternoon session was by Granite Falls artist and SMSU English professor, Melanie Gabbert-Gatchell, who offered a “hands-on” activity with alcohol inks on tile, an art form that I’ve found intriguing as well as beautiful. Perhaps 20 of us were seated around tables blowing at colorful inks through plastic straws or blasting away with canned air to spread paints across both tiles and table tops. Melanie was rather kind about my efforts. “His tiles turned out just like his photography — the backgrounds were muted, and he had distinctive objects in the foreground. Just lovely.” How can you not like praise like that?
Charlie Roth strummed and sang into the night in the adjacent theatre, and as always, he was superbly entertaining. A songwriting and performing prairie icon, Charlie always makes his performances fun. This followed his afternoon workshop on songwriting, and he prefaced his songs Friday night with informative tidbits on either his singular efforts on originals or the explanations of songs he was covering.
Most helpful for me was Steve Gasser’s presentation on developing a web presence, which followed a long breakfast conversation when I shared my blog and frustrations with my photographic websites with him. His response: Not to worry, for it’s all workable. Provided I can gather the appropriate passwords!
Later in the afternoon was a grouping for a visual arts peer critique headed by sculptor/artist Eva Miller. Many of the suggestions were interesting and informative, although my favorite part was listening to each artist explain the muse and direction of their individual pieces.
Yet, the session that I drove home thinking about was by friend and native artist from Granite Falls, Super LaBatte. This was as much an insight on his personal struggles as it was on spirituality and his explanations of these unique native arts forms. His introduction into the arts began with his quest for sobriety many years ago, and his subsequent meetings with Native elders in his steps toward recovery, which was to dance. Dance, meaning at pow wows for personal and spiritual cleansing.
“To dance, I needed the vest. The moccasins. And I had no money,” he explained. This lead him through a long, laborious process into the tanning of hides, and of learning the ancient Native art of brain tanning. Brain tanning uses the brains of, in his case, pigs that he processes before applying it to the hides that he has taken through the preliminary tanning techniques … steps of which he explained in fine detail. The process gives hides a softness necessary to more successfully move into the other art forms. Softened hides gives you better moccasins and vests, both of which rely on beading. Then his chosen method of beading was as old school as his tanning process, and contrasted with that of another Native artist in the room. Their conversation of varied techniques was quite interesting.
Super’s presentation of the art forms was intertwined with interludes into his major life changes; of his confessions in his quest for a better life. In the midst of his presentation, Super told his mesmerized audience that his spirituality is rather individualistic, and that he rarely leans on the use of sweat lodge cleansings common among his peers. “My thoughts,” he said, “are that if you are good to people, if you make good choices, and if you live a good life, these are the keys to my personal spirituality.”
Of all the fun, new friends made, and important information gleaned from the retreat, Super’s life story and those words of his personal form of spirituality resonated with me driving home across the prairie.
Source: Earth Day
As flames danced exotically against the blue sky, Earth Day 2017 became one we’ll not long forget thanks to a favorable wind and the Clinton Fire Department.
Ah, yes. My very first prairie restoration burn. And one I didn’t quite expect so soon. Initially we had plans to attend the important March for Science at the University of Minnesota-Morris. Age perhaps had a hand on my being home after two straight days of driving to Fargo and back with computer issues. Surprisingly the call came mid-morning from the fire chief. Yes, I had the burning permit, and yes, I would be home. All I had to do was activate the permit with a phone call.
About an hour later the trucks began arriving, along with the wind. “This won’t take us long,” said the chief, eying tree activity in the grove. Yes, even the larger branches were swaying. “We’ll start here in this corner and work around your farmstead.” Which I found interesting since I had envisioned starting on the northwest corner of the prairie and working down this way. Luckily I wasn’t in charge.
Taking the canisters of mixed fuel, he and another fireman walked the edges of the prairie next to the garden and along the county road and my first, on-farm prairie burn was underway. All eight acres! Within moments the wind fueled the blaze, fanning flames high into the air. Smoke bellowed above the prairie sending the signal aloft for all to see miles away. Their burning plan created a natural fire break and kept the burn both within caution and reason. The burn was going extremely well despite my fear of being a bit late, for the undergrowth of grasses had already begun to green. That green was no match for the intense heat. Initially we had aimed for the first of May so the weed trees would have a bit of greening. An unseasonable, early spring had taken care of that.
My burn plan actually began a few weeks ago when the same Clinton fire crew suddenly pulled up in front of the farm and made preparations to burn a patch of prairie across the road. As they monitored the burn I approached to ask a few questions. “We really don’t have time to talk now, but will once we’re done here,” said the harried fire chief.
About an hour later they drove up the driveway. And new plans were crafted. With the proximity of my studio to the prairie, the fire department would have been called despite the original plan made with a dear friend, with ample restorative prairie burning experience thanks to his work with Pheasants Forever, over a pizza weeks ago. He is also deep into wild turkey season, and frankly, the distant two-hour drive and unpredictable wind directions made it more sensible to do the burn with a local crew.
So on this sunny and windy Earth Day all forces joined together to renew our prairie. We were due a burn for both prairie age and to thwart the encroachment of the weed trees, mainly Chinese Elm. Now the wait begins to witness an amazing transformation. It might not look like much now, for the only green is in the walking paths we had cut through the prairie … for there were no matted prairie grasses there for kindling. Otherwise the prairie is charred black. It won’t take long for the prairie to recharge. Typically a beautiful flush of forbs and flowers will explode from that blackness, and hopefully the big bluestem will finally take hold to become the dominate grass.
We still have some important steps to take. First will be the arrival of Blayne Johnson with his brushhog to whack down the weed tree forest that has taken root over three primary portions of the prairie. Within an hour of his tasking, the small exposed trunks of the seedlings must be sprayed with a strong brush herbicide to kill them. Although the tops were likely “killed” by the heat of the fire, the roots … like those of the matured prairie grasses and forbs … are very much alive and have stored enough reserve energy to quickly send up new shoots.
We have a serious an issue with weed trees. When the grasses went into dormancy last fall the true extent of the weed tree takeover was vividly evident. Those elm shoots remained green in contrast with the brown prairie grasses, showing a dominance of volunteer seedlings.
This will likely be a life-long fight on this little Big Stone County prairie regardless of our success with this initial burn. The real solution is to take out all of the “mother” elms, a decision I have yet to accept because I hate losing mature trees that add both physical beauty and shade for the farmsite. Especially the tree next to the studio, one of stature, character and beauty.
Certainly the elm issue is of topical concern, although we are beginning to see an influx of Eastern Red Cedar on the nearby hills and bluffs that aren’t farmed. Cedar can throughly dominate prairie lands as evidenced by the wild, unfarmed areas around Granite Falls, just little over an hour southeast of here. More and more of the cedars are dotting the hillsides up here which isn’t a positive sign.
Fortunately, we’ve seen no cedars here on the farm.
Our Earth Day burn didn’t take long. About as much time as the march in Morris, I suspect. We’re quite fortunate to have a small town fire department in Clinton with the knowledge and tools to do a good burn. Soon after they motored off to do three more burns Saturday afternoon we sat on the deck sharing glasses of wine and marveling at the blackness of the charred prairie and talking about the resurgence of the native flowers and grasses.
Within a few weeks, perhaps, the greening will begin, and the entire eight acres will soon be in full flush of new growth. Lush with color and vigor. That is one of the beauties of growing an underground jungle. And, certainly, a reason for our sense of excitement. While we missed participating in a wholly necessary political march less than an hour from our doorstep, our Earth Day was hopefully spent in an equally important manner.
Source: A Gift
For the past few weeks I’ve gone from website to website studying various features of different fly reels. Which was what I was doing about this time a year ago. Eventually I chose a fairly nice looking, mid-priced reel for my virgin fly-in trip into Ontario for a fly fishing-only adventure.
That reel, unfortunately, was a mess. Or, at least the amount of line that involuntarily escaped by my feet while casting created a mess.
Over my many years of fly fishing I’ve basically used Pflueger reels, and was on the verge of ordering another one last year when I mistakenly decided to try something “sexier.” So this past Tuesday morning I bit the bullet and sent in my order for new one. Later that afternoon a surprise package arrived from Apple Valley and it sat unopened on my desk for hours as I combed my mind for any reference of someone I might know there. Finally I opened the small, heavily taped box.
Inside was a fly reel, one already lined with 10 wt. forward-weighted floating fly line, and a note from Edward Hoffman, a retired classical musician from the Baltimore Symphony who has since moved to Minnesota. Ed and I fished together last May in Ontario. Ed was the first person on the trip to ask if I would spend the day in a boat with him, and in fact, he was one of two fishermen two days later who basically saved my life after the boat I was motoring flipped over into the frigid waters.
Once we were back I mailed him a framed print in appreciation, and in October he surprised me by coming out for the Meander, a juried art crawl I’ve been a member of now for four years.
After placing the new reel on my 8 wt. rod, which was “overlining” the rod as he and others have suggested, I walked into the windy prairie to give the system a try. Interestingly, the rod was perfectly lined, and I wrote Ed an email to tell him so, and to thank him for the incredible gift. Moments later he responded by writing, “Bob Clouser gave me that reel many years ago, and his only caveat was that I give it to someone some day. You are that someone. If you don’t need it, just give it away to a deserving person.”
With that, I had to sit down. Clouser is one of masters in the sport of fly fishing, and his Clouser Minnow is a must for any fly box. A gift like this would be like getting a football from Brett Favre. Clouser’s minnow is my primary fly for river walleyes. A different choice of bucktail and hook size has caught pike and both largemouth and smallmouth bass, and a much smaller version tied with yellow and white bucktail has been a great choice for crappies and silver bass through the years.
Which brings me to this. Years ago I purchased a VCR tape featuring Clouser and Lefty Kreh (think Temple Creek fly rods and his own iconic fly, the Deceiver). The box says “1996.” Between then and now, Kreh was the featured fly fishing expert at the Great Waters Show in Bloomington, and was certainly approachable. He loves to talk and share stories. He also lays out a beautiful line, as he demonstrated at the hotel pool later in the afternoon. With incredible deftness and economy of motion, he double-hauled the tip of the fly line some 90 feet through an open door on the second floor where tables were set up for fly tying demonstrations. He was in his late 70s, or early 80s, and this one moment provided confidence that I could continue this passion for as long as I’m able walk.
I’ve not met Clouser. Kreh and the other “super stars” of fly fishing have totally destroyed a myth that this is primarily a sport for elite, self-important, perfectly-dressed jerks. Through the years I’ve been fortunate to hook up and chat with Kelly Galloup (his Zoo Cougar is a smallmouth must), Skip Morris (tyer of the SMP, a very effective bluegill fly), Tim Holschlag (perhaps the premier smallmouth fishing guru and author of books on the sport, and the host of the Ontario trips) and Dave Whitlock (who gave voice for years to warmwater fly fishing). Whitlock and I have talked at fly tying gatherings three or four times, and each subsequent time he has remembered our conversations. At an Eden Prairie fly shop one night he even said, “You trout boys, let me get with you momentarily. After John and I quit talking about bass and catfish fishing.” Talk about privilege!
Holschlag is one of those people who you can ask about the weather, then a half hour later you’re still listening and wondering about the intent of the question. We first met at Bob Mitchell’s fly shop when it was still located in Lake Elmo back in the 1980s. He was giving a seminar that morning on smallmouth bass fishing, an event posted on a small blackboard in the shop. My late wife, Sharon, and I, along with the boys, were on an agenda-free Saturday morning outing, and she was kind enough to allow me to stay for the presentation. I hadn’t fly fished for smallies since leaving Dubuque years before, and it was a sport I simply loved. And, we four were his entire audience that morning. My how times have changed!
So, here we are, years later, doing Holschlag’s trips to Ontario where the smallies are huge and plentiful, and the largemouth prevalent. Pike prowl the shallows, and if you’re patient and lucky, and know the proper technique, muskies can be brought to a fly. And you can meet and fish with some very fine people, like Dan Johnson (a boyhood chum of Holschlag’s and his right-hand man still today) and Edward Hoffman.
In about six weeks Hoffman, Johnson, Holschlag and another eight or so of us fly fishers will gather again in Fort Francis to fly into a small, deep woods resort surrounded by water teeming with hopefully hungry fish. Once again I’ll go with my own hand-made 8 wt. fly rod but with a reel handed down from Bob Clouser through Ed Hoffman. One of the flies I’ll no doubt tie on will be Kelly Galloup’s Zoo Cougar, and when that happens I’ll think of Garrison’s Keillor’s closing line in his last monologue on Prairie Home Companion … “What goes around, comes around.”
(Written in appreciation for the vast appreciation I have for all the fine acquaintances and friendships that have resulted from fly fishing and tying. Besides the previously mentioned, to Rick Nelson, Roger Emile Stouff, Doug Peterson, Norway’s Erlend Langbach, Joe Norton, Dennis Ulrich, my nephews, Matt and Scott White, and so many I cannot remember and should probably list. Pretty good stuff for a guy who was given a fly rod for doing chores as a ten year old for a neighbor dying of lung cancer, and a sport I learned on my own thanks to Sports Afield, Outdoor Life and the old Herter’s catalogs. I may not be very good at it, but little does that matter. For I’ve always had fun.)
Source: Good Timing
Source: Bliss in a Blind