After taking a sip of iced tea I looked over at my author friend, Douglas Wood, as we shared a leisurely and quiet North Woods moment. Chats of my challenges of aging, of his fighting through the recovery of his “fret” hand he broke this spring and is trying to regain his unique ability to play his mandolin and guitar. One wouldn’t guess he had an issue. He can. Our curse as artists is in visualizing the unattainable. He’s an excellent performance artist as well as a fine writer with some 30 published books.
We were seated in the wonderfully comfortable and aged Adirondack chairs on the communal deck outside of the kitchen/dining room that centers magical Mallard Island, part of a five island archipelago in Rainey Lake a few miles west of Voyageurs National Park along the Canadian border. Douglas’ and Kathy’s cabin is a short paddle away fronting this small grouping of rocky islands including one they have christened as Fawn Island, title of his first of three personal memoirs.

On this afternoon our conversation drifted toward memories of a mutual acquaintance and friend, the late Bill Holm. “He was sitting on this very deck when we first met,” Douglas said, words accompanied by pine top songs of White-throated Sparrows, a cheery blessing of the islands. While taking a break from cooking dinner, Holm sipped an iced scotch and smoked his beloved Camels as he carried the conversation. I suspect Holm towered over Douglas as he did me with both his size and captivating personality. An incredible story teller and musician, Holm loved telling tales of the prairie, of his ancestral homeland of Iceland, and impressions of his worldly travels, and he wasn’t shy about politics, either. He loved to entertain, yet could take a teasing, often interrupted by gushes of laughter. I didn’t know him well, although we shared some fun and laughter.
Douglas spoke of their conversation, one he eventually published as an essay in “Fawn Island,” of how Holm moved on from his hilarious litany of Ole and Lena jokes to seriously discuss a book he’d just read about arctic explorer Vilhjalmur Stefansson in which he quoted a passage to my friend, the naturalist who has paddled arctic waters himself: “The arctic is a friendly place (pause) if you think.”

In retelling the story, Douglas emphasized those last three words as Holm had as they were parting company later that night: “If you think.” We sat silently for a long moment gazing at the canal between Mallard and Crow as those words sank in. While sharing our respective Holm tales, along with a few laughs, I thought about this deck, these chairs and of the overall ambiance of Mallard. I would learn that an old friend and fellow CURE board member, Don Marondi, played an integral role in Mallard lore, and that our hostess was long time singing artist, Prudence Johnson, who we once saw perform on Prairie Home Companion back in the 1980s.
Historically, Mallard, was the lifelong home of famed conservationist, photographer and writer Ernest “Ober” Oberholtzer, who lived here from 1919 to 1957. Its rustic ambiance and cedarbark veneer adds to the charm. Nowadays the island serves as a creative retreat managed by the Oberholtzer Foundation for events like Douglas’ “Writers in the Wild” which was followed by a retreat for classical musicians.

We ten writers and staff would share private moments over the week, writing specific assignments before being tasked by a reading of each. Sometimes twice. One evening author Jane Harmon read from her novel, “Mary and Inger”, and harpist Terri Tacheny sent soulful music through the pines as did Douglas adding calm resonance drifting through the pines. In between, spending private times with a friend who has shared some nice moments over the years was comforting, both with appreciating his talent as a writer but also the music. Douglas and his good friend, Borgie Borgstrom, have played house concerts in our Listening Stones studio.
My hope for the week was a recharge, a way of escaping the continued ride into deeper, troublesome times I feel are consuming much of my creative energy. “If you think” moments. Yes, some energy was grasped in nature with my camera, yet for months I’ve suffered “writer’s block,” a completely new curse for me, something that I rarely suffered in my long career as a journalist. Could that energy be recaptured?

Then came those conversations on the boarded deck seated on those comforting weathered and worn Adirondack chairs, ones Holm and Marondi and hundreds of others have sat on sharing similar conversations, chairs filled before and after meals. If privacy and a more personal need of thought was needed, dozens of hideaway benches and alcoves existed to encourage reflection and thought, among the rocks and trees and in each of Ober’s buildings. Hundreds of dusty books exist on shelves in each building, which you were encouraged to read with explicit instructions to leave them in place. Thousands of Ober’s photographs were within touch in albums and organized drawers. Rocky paths guided you through the island, a length similar to our Listening Stones prairie, and even I could toss a rock across the width.
Back on the deck on another warm and calm afternoon, again comfortably seated in those weathered chairs, Douglas shared his insecurities as a young man in trying to win the love of his life, his dear Kathy, an incredible musician in her own right. Followed were conversations over those who have honed our conservation ethics … Aldo Leopold and Charles Schwartz for me, and Sigrid Olson and Ober for Douglas. Sigrid and the BWCA were nowhere near my radar before we moved to Minnesota in 1982. Leopold was introduced to me years earlier after a lunch with Schwartz and his wife, Elizabeth, in their Jefferson City home, after which he gifted me a copy of Leopold’s “Sand County Almanac” that included his illustrations of incredibly realistic nature art. It was a life changing book for me. Like Douglas, I’ve visited Leopold’s sand county farm near Baraboo and rested on his bench on a bend of the Wisconsin river … benches similar to Sigrid’s at Listening Point, or like Ober’s here on at Mallard, benches many of us writers sat on over the week.

Douglas had also met Schwartz, and recounted a weekend in my home state where he met his “Holy Trinity” of nature heroes … Leopold, Henry David Thoreau and John Muir … during a special event in the Ozark Hills where he served as moderator. Played by three actors who had created life-long acts portraying the three icons of the conservation movement, he spoke of his fascination of how each remained in character in both dress and spoken word throughout the weekend, one that came to a close after a nighttime hike up a wooded Ozark hillside that ended in respective silence as their hosts, the three character actors and Douglas himself were left in respective silence by an array of dancing light created by lightning bugs.
In Ober’s main residence, where we gathered seated around our mentor, a framed photograph of him and Sigrid Olson added to the awe of our retreat. Douglas is at home here in the North Woods, and perhaps could have been my home had I not been stopped in mid-life by the ambiance and arts of the prairie. I told Douglas the story of how after a speech and bit of ragtime music by Holm I had teased the Minneota prairie man and college professor about his beautiful essay titled “Horizontal Grandeur.” Holm had penned this after feeling “imprisoned” by tall pines and short vistas … of how when he passed through Willmar he celebrated finally being back in his lovable prairie with unlimited vistas. After stopping his car, he stepped from behind the wheel and thoroughly embraced his “home again” moment. Perhaps he was returning from the same Mallard Island moment Douglas had shared on that earlier afternoon.

This was among my “Holm moments” shared in our conversations on those laid back Adirondacks followed by Doug’s story of his dinner, of Holm’s benediction. It comes to mind, now weeks later, especially as we collectively grasp for calm reality of our political situation by using Stefansson’s story from the wilds and uncertainty of an uncharted arctic wilderness as a metaphor. Perhaps Stefansson and Bill Holm had both laid out a road map for our trying times and survival. “If you think …”












































