While seeing my first Whooping Crane was eventful, it didn’t come close to such date stamps as the Kennedy Assassination or 9/11. So, no, the exact time, date and even the year escapes me. It was while visiting friends in Colorado’s San Luis Valley, Greg and Suzanne Gosar. Suzanne and I were having sandwiches in the add-on greenhouse of their remote farmhouse a step or two down from their kitchen when Greg burst through the door and excitedly said, “Get your camera! There are sandhills in the barley stubble!”

A bit of local geography … the San Luis Valley is a high, flatland in the south-central part of the state and nestled between the Sangre de Cristo Mountain Range on both the south and east sides and the La Garita and Conejos-Brazos mountain range on the north and west. The Sand Dunes National Monument hugs the base of the Sangre de Cristos. The valley is approximately 125 miles long and over 65 miles wide, and Greg’s organic grain farm is smack dab in the middle of the valley as a tip of an imaginary triangle between Monte Vista and Alamosa. You reached the homestead via gravel roads from either the east or west, crossing cattle guards and easing through gates. The Sandhill Cranes were making a springtime stop in one of his fields in the southwestern corner of his farm.

“We can sneak up on them by going up the dry gulch,” he said as we drove toward the gulch in his pickup. “We can’t talk. Hand signals only for they’re easily spooked. When we get close we can edge up against the bank of the gulch and peak through the trees.”

Greg’s plan worked wonderfully, and we had no problems finding the birds as the noise was nearly deafening. The gulch was of soft sand and stealthy quiet. Trees lined either side creating a tunneled path separating fields on either side. He held up his hand for us to stop, and we eased toward the west bank to peer through the dense foliage. Directly in front of us were countless, magnificent grayish birds with the reddish heads. Many were hopping around in their unique mating dance. Then something caught my eye that was different. Something tall and white right in the midst of all the hundreds of sandhills. Yes, my very first Whooping Crane! Although these were my first sandhills, seeing an actual Whooping Crane was an amazing experience back then when the count was somewhere below 100 in the entire world. The whoopers were on the verge of extinction.

Since that special moment in the mid-1970s I’ve been on a quest for cranes ever since, and especially Whooping Cranes. A few years ago my friend, Mary Gafkjen, and I ventured to Nebraska for the annual Sandhill Crane migration, and in the afternoon before we were to meet at the Nebraska Crane Trust outside of Wood River we stopped along a highway along with dozens of others to watch the birds come and go from a stubble field about a quarter mile distant. My friend zeroed in on a white “blob” in the midst of the sandhills, and through our binoculars and from the buzz among the others alongside the road, the consensus was that it was indeed a Whooping Crane. She was glued to the spot and kept her binoculars zeroed in on the whiteness. I understood completely although my strongest zoom lens was inadequate for the challenge.

That started a Whooping Crane “tour” that would take us to Rockport, TX, and a boat tour of the Aransas National Wildlife Refuge, then to the Sand Lake National Wildlife Refuge in South Dakota where rumors said three whoopers were in a stopover. Most recently was a visit to the International Crane Center in Baraboo, WI. We missed them at Sand Lake despite directions given by a friendly Refuge ranger. 

At Aransas, though, we boated into a completely different experience. After leaving port and motoring through the brackish bays, where we saw everything from Roseate Spoonbills to Oystercatchers, and almost every wading bird in a guide book, we reached the remote islands. Off in the distance, perhaps a few hundred meters away, we could see the white from a pair of Whooping Cranes. While this created a buzz among us on the launch, the best was yet to come. Further along the way a pair was traipsing through the marsh grasses just a few hundred feet away. The boat captain pushed the bow into the bank and cut the engine. Even he was surprised. “We never get this close,” he said, in amazement.

And they continued to walk closer toward the island shore, from one pothole to the next. He moved the boat further along to keep pace with the pair, and again pushed in to anchor the boat against the bank. The birds seemed oblivious to us, although I’m positive they weren’t. I was working the camera with a 150-600 zoom bringing my eye so close I could almost feel them breathe. Suddenly the whoopers stopped and appeared to be communicating. Using this as a clue I eased back the focal length of the zoom, and then, as if on cue, they lifted into the air to circle in front of us before flying away. 

We were all in complete awe, including the birder captain. Meanwhile I was glancing through my images and was beyond pleased. We would recall the trip numerous times over the years since, especially during the long months of the pandemic. We even considered heading back with the camper for a month of escape from the winter and the isolation from Covid, a trip that never happened.

Then this summer while on vacation with an old friend from Dubuque, Michael Muir, we were in Baraboo to primarily pay homage to Aldo Leopold, and decided to visit the International Crane Foundation, which Michael jokingly referred to as a “crane zoo.” A single pair of all 15 international species of cranes are kept there, each in a spacious pen with overhead netting. Their eggs are gathered and transported to a nearby research facility where they’re incubated and hatched, all part of an ongoing in depth research program.

The loop begins with Sandhill Cranes, and leads you along various shaded and comfortable seating areas where maps of each species’ wintering and summering areas exist around the globe along with other pertinent information that included their migration routes. At the very end of the loop was the pair of Whooping Cranes and my day was made. I was able to get a couple of interesting images, so it all worked out beautifully.

So my intermittent chase continues, although I have no clue where my next Whooping Crane adventure may be or lead. I have doubts that I will ever be so close as we were either in Texas or Wisconsin, and am so ever grateful to have been so fortunate. This quest that began nearly 50 years ago on an organic grain farm in the middle of Colorado’s San Luis Valley on the farm of a long ago friend and remains ever so magical. Perhaps even spiritual.

Since Greg’s and my jaunt through his sandy, woodlined gulch the Whooping Crane numbers have increased significantly, although as they told us in Texas that morning on the launch, “One badly placed hurricane could end it all.” The boat captain along with the 15 or so of us aboard silently watched in awe as the pair went airborne to circle around in front of us and fly off into the distance. “A bad hurricane coming through here could mean extinction, so consider yourselves lucky, for this was a special moment we’ve just shared.”

Indeed. 

For years the colors have been calming, a twilight easing up from the prairie horizon as a soft azure before gradually melding into a mauvish violet before blending further into various palettes of pastels. I can’t recall seeing such sky views before moving to the prairie in 1992, although perhaps in my more youthful adulthood I was simply not paying attention.

This array comes shortly after sunset, once the sun has eased below the horizon to the west and before true darkness settles in. It is a fleeting display sometimes lasting several minutes, sometimes longer. 

When I began paying attention to what was left of the former prairie grasslands, and often on jaunts into the restored acreages with a camera in hand for prairie portraits that hopefully featured ambient colors set before me by the clouds and sunset colors, the light around me would dim much like it might before a concert or play might begin. 

Then, like back-lit stage lights, the soft colors would come, azure softly easing into mauve, all in a comfortable array of pastels. Sometimes there would be “players” there, sometimes not. Perhaps the turkey-foot stems of bluestem, or maybe a dragonfly. A dancing coneflower. Maybe a lightly traveled road easing through. Oh, but the colors.

Not long ago a sweet friend named Sophia, a waif of a woman now in her 20s and who has seemingly returned from the Cities to the prairie to work on organic farms, described this heavenly display as a “rainbow” sky. I don’t know how or where Sophia came up with such a beautiful and apt description, although I know of none better nor more descriptive. Seemingly it is a moniker that may have escaped the best of the prairie poets, although admittedly I’m ashamed to think of how many I may have missed.

Sophia is a quiet, studious young woman who observes life around her with grace and with eyes … oh those eyes speaking of wisdom beyond her years … wide open. If she had been alive in the era of Aldo Leopold he might have had reason to have written one of his more memorable quotes with her in mind: “To those devoid of imagination a blank place on the map is a useless waste; to others, the most valuable part.” 

That would be Sophia. An essayist with a knack for descriptive phrasing, Leopold would most likely have enjoyed sharing such observations with Sophia seated on the bench of his small farm along the Wisconsin River. I can imagine that, for my imagination knows few bounds. There are few blank places.

Since moving to the prairie I’ve been fortunate to have had sky views, and in reality why would one not want such vistas. It’s easy to look at this half-football shape of Terra Earth so common to us who live in the lands of these widened skies … Holm’s Horizontal Grandeur …  and not think of the heavenly blue with the white schooner clouds floating by easily above. Our afternoons are commonly graced with such offerings. Yet there is more … so much more. I love the “Monet” light of the early mornings and late afternoons, the latter of which sets the stage for the often stunning sunsets with a surround of ambient light and cloud formations that commonly defies definition. Then …

Some of us sometimes smirk and even snicker when we discuss those sunset fanatics living on the coast of Florida who glamour over their late afternoon displays settling over the Gulf. In some towns second story decks and widow walks are constructed to hopefully offer prime views of the sun lowering into darkened waters of a horizoned sea. “Most of those sunsets I’ve seen there,” says a close friend, “are simple reddish sun balls sinking into the sea. Nothing like what we have here. Rarely this vibrant, and our sunsets are rarely dull.”

Here we simply walk outside and take in an offered godly presentation. Some of us even jaunt into the grasses and around the lakes and potholes in search of subjects to photograph or paint attempting to capture such light. Shades of Monet. My home prairie here at Listening Stones Farm has granted me many wonderful images through the years. Many are from the sunsets, those featured events which hardly offer the calmness of the rainbow skies that follow to ease us toward complete darkness.

And, yes, rainbow skies have also provided me with some wonderful blessings through the years beyond the calmness of the inner soul. For some, perhaps myself included, “twilight” is a “my light,” and the peace graced upon us by the rainbow skies is just so precious. It’s not unlike a sigh given after a good day … made just before a reading lamp is extinguished for the night.