About John G. White

Somewhat retired after a long award-winning career in newspapers (Wisconsin State Journal, Dubuque Telegraph-Herald, Denver Post and a country weekly, the Clara City Herald). Free lance photographer and writer with credits in more than 70 magazines. Editor with various Webb Publishing magazines in St. Paul, and a five year stint as editorial director at Miller Meester Advertising.

An Odd Uneven Time

August is an awkward month. Big Bluestem colors the prairie in blueish purple glory, and Monarchs flit from flower to flower. Yet, as blossoms fade, a prairie ages. Brown creeps in where green once resided.

Bird species begin to congregate, moving across the Bluestem landscape, grabbing onto a spindly, windblown lunch. In some wetlands white cranes work the shallows for edible tidbits, and in others, algae blooms in various colors as the heat energizes nutrients from agricultural sediments. These colors are not of the recent summer.

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An nearby prairie in its last grasp of summer glory …

We humans are wont to quickly pass all of this color and naturalness of the prairie en route to our final moments on the lake shores of the Shield before schools open. Paths are charted across the former prairie for cross country running competition, and beyond the Bluestem, footballers aim for measures of Friday night glory. Teachers are called to their classrooms in preparation of the upcoming school year. 4H’ers are nervously awaiting judges at the State Fair down in St. Paul, hoping for the success they had back home at the county fairs.

Apples ripen. Peaches arrive from afar for canning. Beans are past picking, yet the tomatoes, with the cooling nights, offer garden color. Squash ripen, too, and the sizzle of deep pressure canners emit from many kitchens as people work to save summer.

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Smoke-filled skies offer interesting sunsets, framed by prairie sunflowers and Big Bluestem.

Ah, yes. Summer. August is the last of summer; the threshold of autumn. Or, in the words of poet Sylvia Plath, “The odd uneven time.”

I most notice the light, on the waning of it in the evening, and on the other end, now I awaken to sunrises I was sleeping through just weeks ago. My Missouri-based cousins spoke just last week of the wonder of such late dusks as I wondered of how quickly it now descends across the landscape. Each with our geographic awareness. Yes, an odd, uneven time.

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An algae bloom on a nearby wetland adds color to the August landscape.

Our’s was a late spring. Pasque flowers and Prairie Smoke seemed terribly late this year thanks to the deep April snows, and then summer broke right on top of it all. With it came a vengeance of heat and humidity that was so formerly distant to the south. No longer. Then the skies began to fill with hazy smoke from the wildfires out west and from Canada. Meteorologists claim the air quality was, and is, simply awful, causing respiratory problems for all ages. Personally my eyes burn, and my throat is rather raw as I work to expel in clearing my lungs. “It’s like smoking five or six cigarettes a day,” one was quoted in the Sunday daily.

All of that, yet we marvel at the “sun ball” sunsets offered only because of the smoky skies — sun balls as red as Santa’s pants, offering interesting imagery along the horizon edges of turkey-foot Bluestem and spindly prairie sunflowers. You yearn for a clear sky, and cheer even the slightest breakthrough of blue.

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The “sun mottled” spotting on the fawns are narrowing and about to disappear.

Down the road wild turkey chicks are nearly indistinguishable from the adult hens, and nearly as big as those roosters that have survived the spring hunts, when they strutted so proudly on the woody hillsides with suddenly ruffled plumage. Fawns are losing their protective “sun mottled” spots that provided protection. On the clothesline, the season’s batch of swallows are being fed by hovering adults. Yet, they are soon off the line and already into acrobatic flight that is as wondrous as it is beautiful. Have I mentioned the Monarchs?

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The Monarchs here on Listening Stones Farm exist in a metamorphic lifespan of a mere few feet.

The milkweed that attracted the caterpillars several weeks ago is now drying and dying. Towering above that browning death are the bright yellow blossoms of the Compass Plants, where the Monarch’s that “hatched” now flitter and dine — a metamorphic lifespan within a mere few feet!

September is now a week distant, the month many of us call the beginning of fall. Last week in the Boundary Waters the leaves had begun to turn, and along the ravines we can see the same around here. And we realize that in all ways August is a transitional month, giving forms of late beauty and life as much it takes away the same with the browning of death … an odd uneven time.

Old Salmons

“I see you as an old salmon,” said a long time artist friend to me recently. “It’s like you have an internal drive taking you upstream, over dams, against the current. I don’t know where you going, and you may not know where you’re going. You’re headed somewhere, though, and you want to get there before you die.”

Don Sherman, the long-tenured prairie artist could just as well be likened to an old salmon himself. We’re both in our mid-70s, and both of us are time challenged and driven. And like he suggested, do we really know where we’re headed?

No, I’m not new at this. Nor is Don. We’re somewhat retired, meaning we are now going where our soul and creativity takes us. My break with mainstream reality began with the death of my wife of 32 years, although I had given my publisher fair warning months before, that my time was near. Now, years later, some of my friends scoff at me, and one blatantly said, “You don’t know a damned thing about being retired.”

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An image from the last one percent of prairie.

Recently, in the midst of several errands before heading off for a weekend showing at an arts and wine fair in Cannon Falls, two friends invited me to join them for lunch. More of the same. Eventually one said, “I get tired just reading your posts. Don’t you ever slow down?”

Maybe not. My thoughts go back to an incidental meeting back when I was 62. Some consider this a magical age and jump at the chance to jump on SSI with an early retirement, I stopped at a barbecue joint and bar to talk to the owner about advertising in my country weekly. Four guys who were around my age were having an afternoon beer on a summer day that would have been perfect for sitting in a boat angling for bluegill in a quiet bay. They rode me pretty hard about not joining them, that life was much too short to be working, and that I was 62 for God’s sake. Within a year all four had died of natural causes. All much too young. Did idleness play a role? Inactivity? Not having some mission?

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My Listening Stones Farm yields some fine images, including a smokey sunset.

A dear friend who recently hit the magical age of 70 still performs his incredible music, and is wont to take a break when playing. He is engaging, with a broad smile during his performances. An artist friend in the outer suburbs told me last week she’s doing just what she’s always wanted to do. “I do it here in the summer, and we go back to India for the winters and I do my art there as well.” Then, there’s my fellow salmon … Don Sherman. Apparently I’m not alone. Somewhere in each of us there seems to be a magical drive. And we’re certainly not alone. Idleness won’t kill us.

My woman friend, Mary Gaftgen, says I sometimes wear her out, yet in our time together this year we’ve road-tripped to New Orleans, Nebraska for the Crane migration, Alaska for a week to visit her brother and his wife, to Eastern Washington to visit her old college roommate, and we leave in a few days for the Boundary Waters. This doesn’t include our nearby day trips, nor the week I spent in Ontario fly fishing on another wonderful Tim Holschlag adventure. Nor does it include a European trip to visit my son, Aaron, and some former foreign exchange students. Add some art shows in there as well. So, yes, there is a retirement aspect.

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Near Juneau a canoeist returns from a jaunt in the bay.

I’m thoroughly enjoying life. Not long after my wife’s death I entered a bounce-back marriage that didn’t take. Yet, my ex-wife was quite nurturing and encouraged me as I began working on my prairie art imagery. My work centers around the last one percent of the prairie, the vast 99 percent forever altered into commodity agriculture, parking lots and such … land that as a prairie prior to European immigration stretched from Canada to Texas, and nearly the breadth of the two mountain ranges. This has led to many juried art shows, one-person exhibitions, and a spot in the annual Upper Minnesota River Arts Meander, where hundreds visit my home farm studio over the first weekend of October.

Is this swimming against the current? Is there something soulful within urging the mission forward? Is it a fear of idleness? Of death? Of not lending some importance to the act of being an integral part of the human race?

The Slice of Pie

It was a sad afternoon. Despite the probable necessity of the situation, tears still swelled in my eyes a time or two. First, the back story:

It began the night before when dear friends, Don and Bonnie Sherman, joined us for dinner here at Listening Stones Farm. After a fun dinner of smoked ribs and potato salad, Bonnie sliced a rhubarb cream pie with what would have had a perfect meringue had it not been for a slight accident in transporting. The pie, she said, came from a recipe handed down to her by her mother-in-law.

As a child Don had gone to a Boys Scout camp where the scout master … the father of an artist friend we’ve heard is now in a “nursing home” … brought a pie to the camp. Don came home raving about eating the “greatest pie ever.” So Don’s mother called the mother of our mutual artist friend for the recipe.


Across the fen on the adjoining hill is a nice little oak savanna.

After eating Bonnie’s offering with moans of ecstasy, the four of us decided we would dedicate a slice for our friend in the nearby senior care center. (For her privacy she’ll remain unnamed. For her niche in the arts world, her form of a classic Norwegian art form, is considered by many as true as Georgia O’Keeffe’s art was to her homage of the desert.)

That afternoon I left my house that her father and uncle built back in 1912, which is one of our many connections. I passed “the hill” where two years ago she had a small cabin delivered for a getaway, a touch with her roots as a young girl on the hilly slopes of Big Stone Lake, and two miles south of my farm. In the short time I’ve lived here I’ve made several images on and around her “hill.”

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Another view of the savanna, from the side.

After the 30 mile drive to the nearby small town,  I entered the nursing home where it was rumored she was living, and was told by a nurse, “No, the name isn’t familiar.” She was a young woman and probably didn’t know the name nor perhaps the significance.

As I left with the bittersweet feelings of both disappointment and relief, I noticed a newer building of the same color of exterior off to the left and down an adjoining street. It was a senior living facility, and, yes, this was her new home, and they gave me the room number.

After a brief hug and greeting, I gave her a print of an image I had made directly in front of the little cabin on the “hill” a few weeks ago and pulled the foil off the slice of pie. “Here, this is a pie made from a recipe your mother gave the mother of a dear mutual friend” as I told her the story. She broke into her beautiful smile, one I’ve seen so many times over the years. I recalled our first meeting many years ago when a “buggy artist” friend and his wife came out to the prairie for the weekend. We had visited a few studios before driving to the arts school where she was attending a glass painting class. When Harland explained that he worked to create buggies and was in search of an artist to paint rosemalling on the buggy seat of a Norwegian styled buggy, she said, “Well, I do a little rosemalling.”

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The savanna to the east of the little cabin on the hill.

A little rosemalling?

This story has been told numerous times, yet she heard it for the first time on my visit, smiling as she vaguely remembered the moment. That was an afternoon I’ll long remember, for later she led us down the street to her small home and garden to give us a personal and intimate tour. If her house and garden aren’t already on some national historical preservation list, it should be for it is unique and decidedly “old” immigrant Norwegian.

She then asked about the “hill,” her little cabin, and about my house, and she retold the story of how her father and uncle had built several of the houses in this neighborhood. My house is apparently among the old Gustafson enclave.

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Wild turkeys have found her hill quite attractive.

Then she said, “You know, I don’t want to be in here. I no longer have my driver’s license and car. I can’t go anywhere any longer. I have no way of getting back to my little hill. I don’t know if I will see it again. Did you know they installed windows in the little cabin that won’t open? I’ve asked for replacement windows. How can you have a breeze without windows that open?” That odd mixture of reality and hope.

This is a sad reality that elderly people and their families unfortunately face. My family struggled with my father’s dementia and a need for both his safety and that of others. After several minor accidents including his ramming his pickup into the outside corner of the garage, we made the decision to take away my father’s independence. It is never easy. Not for the loved ones. Not for the elderly person for whom the decisions are made. If we live long enough, perhaps this is a reality many of us will face, myself included. So I have a sense of what went into her family’s decision and realize it wasn’t easy for them.

I also thought of an elderly man who had driven into Montevideo last November to see his insurance agent, and had inadvertently missed the brake and hit the gas, propelling his pickup over the curb and into the front window of a popular coffee house. As workers secured the front of the shop, and a nice police officer talked intermittently with the elderly man, we privately thought of him as he sat alone in his pickup, no doubt in private thought of how the slip of the foot had probably cost him his independence.

I look at myself in my 70s, and wonder how I could possibly survive without being able to drive, of losing what most of us treasure so much, our independence, and I looked at my artist friend across the room. Her engaging and beautiful smiles was now gone, replaced by a look of agony and isolation no one wants to experience, and I suddenly felt the presence of tears.

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As have the deer!

Her family was coming for Mother’s Day, she said, and she hoped they would consider taking her back to little cabin on the hill just down the road. “I’d like to be on my hill again and again.”

After a moment of silence, she said, “I could die just as easily at home as here. I didn’t have any choice in the decision. I hear rumblings of what is being planned for my house. I don’t know if they’re thinking of making it a museum, a bed and breakfast for the art’s school, or what. And I don’t know if I’ll get back to the hill.”

My heart ached with the sadness and reality of aging.

And, there, next to her laptop, was the slice of pie. She eyed it then and smiled. That big, beautiful engaging smile, one that brightens cloudy days. A slice of a pie from a recipe her mother had shared with Don’s mother some 60 year before, a creamy rhubarb topped with beautiful meringue.


What is left of the pie …

Outside, the new spring has rhubarb ready for stalks to be pulled for more pies, and the lilacs are fishing to bloom. Trees are quickly filling in after a late winter, and on the hill where her little cabin awaits her possible return, wild turkeys fluff and strut, and deer dash across the road into the wild grasses of her untamed yard. Across the fen in the valley between her hill and the hill to the west, the sunsets are just as beautiful as are the sunrises across the road. Small oak savannas on each of the hills offer contrast and definition, things an artist like my friend would note with reverence and understanding. Yes, her hill is a fine location for a homey getaway.

If there is to be one.

‘They’re Back!’

As I sauntered down the driveway toward the gravel road for my nearly daily walk, first came the “j-ha-weeep” call in the grove causing me to stop and scan the tree tops. Just as I spied them, two pair of Wood Ducks took flight. To no one but myself came my loudly spoken, “They’re back!”

Yes, this is a celebration of spring! How many of us are guilty of such excited exclamations? And, interestingly, this exclamation isn’t just about our feathered friends. Native forbs, and particularly Pasque Flowers, can create the same excitement. All signs of a changing of the seasons, and with certainty, winter is behind us!

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Yes, even the Pasque Flowers are back … although slower than in the past few years.

Shufflling off the shrouds of winter, especially when the expected joys of a warming spring are seemingly pushed back by April blizzards, can be so frustrating. So our shouts of “They’re back!” are perhaps more meaningful now we’re starting to feel and see that Spring is “sprung.” Warmth is once again soothing the soul.

And with it comes almost a daily welcoming of migrating birds with even the most casual of bird lovers thrilled of their first sighting of a Robin, or the sighting of an expected spring flower. For the past few weeks I’ve driven to a hillside that is kissed by the warming sun which promotes the arrival of purplish Pasque Flowers. Some call these “May flowers” because of the blooms were often noted in May because of the long, Minnesota winters. Climate warming changed this, and reviewing my files these past few weeks prove that I have taken Pasque Flower photographs as early as mid-March. On my hill the Pasques were nowhere to be seen even last Saturday. On Tuesday, though, the blue natives were erupting over the crest of the hillside. And, yes, I said it. “They’re back!”

We each seem to have our own sighting of significance be it bird or flower. When my late wife, Sharon Yedo White, would greet me with her, “They’re back!”, she was speaking excitedly about Great Blue Herons. Some go with the poetic, lazy and poetically looking flight of White Pelicans. Color me guilty. Recently, as I was leaving the bank, a flock of a dozen or so seemed to hang in a brilliant blue sky like a luxurious mobile above the mouth of Big Stone Lake, showing alternate brilliant whites and stark blacks against that deep blueness. I had to pull aside, get out of the car and watch for several minutes. “They’re back!” I said to a bank patron as he walked past toward his car. “They’re something to watch,” he said, turning momentarily to watch the seemingly effortless glide.

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Like a mobile in the sky, the White Pelicans seemed to hang in the air above Big Stone Lake.

Within the past few days a dear friend spoke of seeing her first Bluebird, and several of us have seen the spindly Yellow Legs. American Avocets are mentioned. Friends who share their wooded deck with wrens mark their return as a sign of spring. Loons are now appearing further north, and yes, one mid-morning last week walking over to the studio a group of five Sandhill Cranes flew over. I recognized the sound and looked up immediately, and there they were, just like we had seen them in the Grand Island, NE, area several weeks ago.

This year, with a lingering winter and what we now consider unseasonable late snows, it seems more than usual that we humans have our eyes pealed to the sky seeking individual sightings of an avian spring. Perhaps that was the impetus for taking in the awesome experience of the Sandhill Crane migration. We were among thousands, many of whom make this trip to central Nebraska an annual pilgrimage. For us it was a quick, three-day road trip, and one we’ll never forget.

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Although their favored nesting tree partially collapsed in a winter wind, the Wood Duck couple came to once again scout the grove for nesting sites.

We are fortunate in this part of the state to be part of the western edge of the Mississippi Flyway, and thanks to the many wetlands and the various prairie rivers, we have a field guide bonanza. Indeed, Big Stone Lake is simply a wide and long portion of the Minnesota River, as is Marsh Lake further downriver, and below that, Lac qui Parle Lake. Marsh Lake contains one of the largest White Pelican rookeries in the nation, so the pelicans we see around here have likely flown from that next widening of the Minnesota River.

And, we have enough restored native prairie around us that we can see two increasingly rare birds thanks to the demise of their grassland habitat, the Meadowlarks and Bob-o-Links … the upside down bird. And, yes, people have expressed their “They’re back!” for both species in the past few days.

Some bird species are simply passing through. That vast family of warblers among them. Others, though, are now here and seeking nesting sites. Several of the muskrat mounds in the wetlands have been scouted and claimed by paired Canada Geese.

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Many of the Canada Geese have paired up and searching the shallow wetlands for nesting possibilities.

Since the first sighting in the grove the other morning I’m now watching one pair of the Wood Ducks scouting the trees. Half of the tree they used in the past topped over in one of our winter winds. Perhaps enough of it remains that they’ll reclaim it for nesting. We’ll see. Moments ago a pair was standing on the bent trunk surveying the neighborhood. I can only hope.

Thanks to both the woody grove and restored prairie, we’re fortunate to have many species of birds and native prairie flowers both returning and staying for much of the summer. Prairie Smoke is perhaps our next debutante forb, and the leaves are just breaking through. Another sign of spring as we await the first sightings of the colorful Orioles and Rose Breasted Grosbeaks. For them all I can barely wait to say, “They’re back!”

War on Water

Apparently the war on water has escalated. On both surface and subsurface waters. This is a battle much time and effort has been spent in the past, and involves such tactics as canoeing with board members of the state’s corn growers association, being a 12 year board member of a river advocacy group, and even having been awarded the coveted Riverkeeper award … an honor I certainly don’t take lightly.

Now with the continued assault of our natural resources by the Republican Party on apparently all levels of government, mining and other industry, Big Ag and our so-called president, I’m asking for your help. For the past few months I’ve been trying to decide just when and where I should go to complete a photography project I began last summer, and fear I can wait no longer.

Minnesota River, 2017

Waters from a “protected” stream enters the muddy Minnesota River in Renville County, taken in the summer of 2017. 

This information came through on Tuesday: On Monday, April 16, the Minnesota House of Representatives voted 69-56 to pass a bill that will block the state’s Groundwater Protection Rule from going into effect without legislative approval. The rule would have regulated farmers’ use of nitrogen fertilizer in areas where groundwater is sensitive to nitrate contamination.

Followed by this from my state representative, the very same man who blamed goose shit as the main culprit  for polluting our troubled surface waters: “We also object to author Rep. Jeff Backer’s claims that agricultural producers were ‘blindsided’ by the proposed rule. The draft rule is the product of a planning and rule making process that began in 2010, and has been the subject of nearly unprecedented public outreach and engagement by the Minnesota Department of Agriculture.” This was reported by Friends of the Mississippi River.


An aerial image of the confluence of the clean St. Croix River with the Mississippi, where most of the dirtiness comes from the Minnesota River upstream.

My project has a pre-published title of “Art of Impairment.” It is an effort to use photojournalism to highlight our state’s impaired waterways, and I’ve attached some of the images so readers can see where I’m headed with this.

This effort follows my earlier “Art of Erosion” project, which was jointly sponsored by CURE (Clean Up the River Environment) and the Minnesota Master Naturalist program. As a Master Naturalist, I was humbled that they would agree to partially sponsor the 20-canvas show with about ten “pull outs” explaining the cautionary story of what erosion is costing us. And CURE stepped up immediately to volunteer its sponsorship after viewing the initial images, an effort to portray the ugliness of the loss of life-sustaining top soils in an artistic and beautiful manner.

Big Stone County Wetland, 2017

Birds walk on the matted algae on a Big Stone County wetland adjacent to a small dairy. No, this is not a manure lagoon. 

The Art of Erosion has been hung at various conferences in two states, including meetings of the Sustainable Farming Association, at least three University of Minnesota Extension Service sponsored events, MOSES (the largest organic farming meeting in the U.S.), and others. It was also a part of the Smithsonian Institutes’s traveling Water Ways exhibit, and has hung in two one-person exhibits. Pieces of that display have been loaned for use in other educational exhibits. I can only hope that the Art of Impairment will reach as many people, if not more,  upon its completion.

My hope is to portray ample examples of impaired waters that are being polluted by runoff and drainage. Algae-choked waters, for example. Please address emails at jsjawhite@yahoo.com/ to explain what you have witnessed, and where, and I’ll make an attempt to get there as soon as humanly possible. One image I envision is an underwater closeup of micro-organisms of a lethal algae bloom.

Minnesota River Backwater, 2015

Algae chokes a backwater of the upper Minnesota River. 

Wholly a third to a half of the entire state of Minnesota’s waterways are impaired by unhealthy farming practices and urbanization. That includes all the rivers, lakes and wetlands basically south of I-94 to the Iowa border. Lethal algae blooms have killed pets, and few, if any, of the aforementioned waterways are safe for swimming. Many of the fish and game harvested from many of the waters carry advisory warnings. Yet, people like Jeff Backer and others are intent in continuing to reduce and/or prevent protective legislative actions to even halt the continued polluting of the waterways. Not just statewide, but nationally as well. Our natural resources are under attack, and as such, our existence on the planet is at stake.

Backer’s political party, and the nation’s president, seem intent (if not, content) on eliminating all safeguards for both our surface and groundwater sources. It’s as if they simply do not care.

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Algae found typically on a prairie wetland … this in Big Stone County. 

Mine is only a small part to hopefully bring these issues to light. I don’t believe humanity is ready to completely poison the planet, and most particularly the lifeblood of our existence … water. In so many ways we’re at war over our rights of protecting both surface and subsurface waters.

I’m asking for, and need, your help.