A Year of Auroras, Birds and Wetlands

One of the traditions I so thoroughly enjoyed in my long ago newspaper years came near the end of December when we were asked to sort through and submit our favorite image, or images, of the year just before New Year’s Day. This gave layout editors fodder for a traditionally slow news week between Christmas and January 1.

For us this was a chance to review the stories and our photographs. For me, that review was crucial to my growth as a photojournalist. Did the imagery seem to hold up to previous years, or was there a lag? Was there a sense of growth? Had my “eye” for composition, working with natural lighting, choosing an appropriate focal length worked with the news event or photographic moment?

My concern nowadays is if my “eye” has held true since my retirement as I’ve moved to more closely document our last one percent of the glacially-blessed native prairie and wetland ecosystem that has been systematically and throughly destroyed by mankind since the 1860s. This destruction and my care for recording the remnants photographically has been stated repeatedly in my artist’s statements that have accompanied my exhibits and art shows.

Since moving more into a creative arts community this tradition of reviewing my past year of imagery to choose 12 of my favorite images has continued over the past 11 years. My choice and intent is not to choose just one but a dozen, initially to pick one for each month. It didn’t take long to realize that better images were being left out, and since this is my choice on what to show, that concept died a quick death.

While the annual review is fun, the intent remains the same — seeking a measure of growth, of how my “eye” might have evolved over time. So, here we go, along with a few comments for each of the images are my dozen for 2025. If you wish for a closer look simply “click” on the picture to enlarge it. Meanwhile, thanks for your kind comments and support of my work through this and for all these years.

Just outside of Big Stone Lake State Park this piece of the glacial moraine that separates the River Warren river bed, now Big Stone Lake, and a huge, miles long ravine that is home to Meadowbrook Creek. This interesting afterglow was one of those “you had to be there” moments giving the native prairie the appearance of a staged play.

Moments before this was captured, I was pulling out of the fisherman’s lower parking lot below the Marsh Lake Dam when a pod of pelicans flew over. There was no chance for a picture, and I left the area disappointed. At the “T” at the end of the dam road, I took a left hopeful of getting closer to my road home and ended up at Curt Vacek’s machine shed. A dead end. As I headed back another pod flew over. Both times dozens of pelicans seemed to be heading toward their island refuge. Hopeful, I sped back to the dam, backed onto the dike and just as I rolled down my window and grabbed my camera, this pod flew over exhibiting grace and aerial choreography. Pelican flights often seem to offer such grace to our prairie skies. That the birds stood out against the subtle grayness of a cloudy sky makes the picture. One of my favorites from over the years.

Ever since moving here I’ve had an eye on this lone tree on the bank of a long drained prairie pothole lake that before being ditched and drained stretched for miles and over what is now many commodity grain fields. From the bottom of the old lake bed the tree looked to be in line with the sun of the Summer Solstice, and once again I was blessed by nature when a lone bird flew into the sunset.

Between my boyhood hometown of Macon, MO, and neighboring Atlanta, the Missouri Department of Conservation damed a channel of the Chariton River to create a multi-mile lake and eventual state park. After driving through the park we exited through the far north gate and turned toward the major highway when we crossed a high bridge at the last “finger” at the head of the lake. This wasn’t my initial view, yet the swallows flying from beneath the bridge and silhouetted against a distant brewing storm caught my eye back in mid-July, and again in review.

Although we had a cabin on Lake One on the lip of the BWCA, we did more exploring around the area because my favorite woman lacked comfort in a canoe, and in those adventures we stopped at Bear Head Lake State Park, which after years of being in and around Ely I had never noticed. We took a hike on a wooded trail that ended up at Norberg Lake. The calm waters of this small lake surrounded by age-old timber offered an incredibly soothing moment, especially in our distanced escape from the political chaos of the summer. This scene was a reflection of my calmness and comfort.

Just a few miles from home a lone pelican and the ambient afterglow reflected in a wetland. More of what I call poetic photography. Often I leave home just before sunset to drive around the area wetlands, and unlike most of the counties around us, it is estimated that 15 percent of the original wetlands still exist in Big Stone County compared to less than a percent elsewhere in Western Minnesota and Northwest Iowa. And it seems that every year I’ll come across a lone pelican in a prairie water wetland. This was my moment in 2025, a moment of peaceful bliss.

In my exhibit this image carries a simple title: “The Leaf.” Yes, this singular leaf caught my eye within the midst of the “forest” in the high Minnesota River backwaters of mid-summer at the Big Stone National Wildlife Refuge. I love the angular tree and its reflection, yet the “individualism” of the stark leaf is what caught my eye. I guess I’ve always been sort of a “loner,” like “The Leaf,” feeling a bit out of step with the society that seems to surround me.

November, and the “super” moon at Crex Meadows just across the Wisconsin border with Minnesota. Sandhill Cranes are my favorite bird and this image is one I’ve visualized for several years. An unfulfilled dream, if you will. With the promise of a full moon along with prayers we would have a cloudless sky, we drove nearly five hours across the state to Crex and got a motel room. We then found a vista that might offer a gigantic full moon rising along the horizon, along with hope that the cranes returning from the nearby stalk fields would offer a blessing. This was among several images of cranes flying through that incredible moon, and this was my favorite of the bunch. Once again nature provided a special blessing!

Then, the following morning in the “nautical” twilight … again, Sandhill Cranes. Have I said I love them? Even after a half dozen trips to Central Nebraska each March, along with various outings to both Crex Meadows and the nearby Sherburne NWR between St. Cloud and the Twin Cities, I can’t seem to get enough “crane time.” My first viewing of Sandhills was on a organic farm near Monte Vista, CO, when my now late friend, Greg Gosar, whose farm I helped feature in a Money Magazine story, came running into the house to ask if I wanted to sneak up on a feeding flock of cranes in his wheat field. We sauntered as quietly as possible up a sandy draw before leaning against the bank to see the birds. A highlight was a lone Whooping Crane back when their number was in the low 70s, along with what Aldo Leopold called the “trumpets in the orchestra of evolution.” This was in the late 1970s, and I’ve “chased” those beautiful songs and flights ever since.

Northern Lights, the auroras of the heavens …. a Cinderella-like moment for the normally muddy Eli Lake in nearby Clinton. I love this view of this disregarded lake on the edge of town along US 75 and a county road. Certainly I’ve witnessed more spectacular Aurora displays, yet what attracts me to this image is both the natural composition along with the reflection highlighting the colors even as “subdued” as they appear. Despite the shallow waters, seldom seen as blue, the Aurora awakened the waters from its normally placid blandness — an Aurora that provides a glimpse of normally unrealized beauty.

While we’re on Northern Lights, this was captured with my cell phone when the settings on my camera got messed up. This was a spectacular display in all directions, and taken over a prairie wetland at the lip of our prairie looking toward the Northwest. While the October 10th display was considered the highlight of the year’s displays among us Aurora geeks, this display might have been an equal, offering both vivid colors and that hum from the heavens … something you don’t always hear, with colors you seldom see this far south.

Another moment from a nearby wetland, a Great White Egret lifting from a vista featuring a setting sun. Once again when I look through my couple thousand images of wetlands, I feel such a sense of loss. Besides the benefits of recharging the underground aquifers and cleansing agricultural chemicals from the runoff, they benefit wildlife and provide incredible beauty to the prairie for many of us. The 99 percent of destruction of the wetlands is such an incredible loss, and a loss that keeps me in constant search for poetic imagery. And in this instance, I was once again blessed by Mother Nature.

In Pursuit of a Dream

My dreams and visualizations of capturing my beloved sandhill cranes, birds of such poetic flight and stoic stance, silhouetted within the glow of a beautiful full moon have been craved for years. Cravings that caved, especially along the Platte River in central Nebraska years ago when “uncooperative” cranes simply avoided a full moon high in the sky. This, I hoped, would be different.

When forecasts of a full moon were made a lovely Wisconsin marshland refuge beckoned. I was hopeful of having a large globe rising from the horizon, blazing with color … something quite different than that moment in Nebraska … with the cranes cruising through. Hope resonated from the colorful moon names all heard within moments of our arrival …   “Super” moon, “Harvest” moon and “Beaver” moon. Native American lore provides even more mental possibilities, dangling the names of a Whitefish Moon, Deer Rutting Moon and even Frost Moon for the November lunar show. How about a “Sandhill Crane Moon?” That, at least, was my hope.

With luck a beautiful glow and globe of a moon would appear on a clear night, and since we had free time, we meandered across the state to Crex Meadow Wildlife Area just across a paved road from Grantsburg, WI. This would be a sunset/sunrise affair, prime times for sandhill crane activity unless you opt for mundane images of grain field gatherings. 

Thousands of cranes traditionally stop at this 2,400 acre marshy refuge where each autumn they congregate for pre-migration safety they find within the numerous and large wetlands surrounded by miles of dike roads as they stock up for their long flight. 

Certainly there were cautionary concerns on our four hour drive, for Grantsburg and Crex Meadows is as close to the Eastern Minnesota border as we are at Listening Stones to South Dakota. My concern? Clouds. Be it eclipses, Northern Lights, comets and numerous attempts of photographing the Milky Way, cloud cover has been a lifelong photographic nemisis. Still, I made hotel reservations and convinced a neighbor to mind Joe Pye overnight so we might fulfill my dream of capturing the cranes cruising through a rising, neon bright “supermoon.” What was there to lose except time and money? 

Then something entirely unexpected occurred. After spotting a couple of singular cranes as the “golden hour” light descended upon us, I pushed the review button to check on the color, light, composition and selective focus to discover a totally blank review screen. Yes there was momentary panic. All the visible and magical buttons were pushed on the camera body. To no avail. 

We began by working a large “flowage” along the Main Dike Road where I’ve previosely captured successful images. As the golden hour light began to bask we had seen only a few cranes. Yes, an attendent in the main headquarters had suggested this as a possible location for capturing the rising moon. When you have but one chance on capturing a dream, nervousness settles in. Quickly a move was made to the nearby “Phantom Flowage” where we found an excellent, unobstructed view of the eastern horizon. Our wait for cranes was short as they began returning from the nearby stubble fields.

Since it sounded like the shutter was working I continued to focus and shoot. Memories of all those years of shooting film without instant review came to mind. Apparently I’m now fully immersed in the digital age and long past those long ago travels to many of the lower 48 states for magazine stories and corporate assignments, back when there was a certain confidence that my images were securely captured and saved on rolls of Kodachrome or Tri-X, that in the developing the creativity would magically appear. Would it again? Regardless, I would be “shootiing blind.”

Magically the upper crescent rim of the moon suddenly broke on the distant horizon and it slowly rose higher into a lush fullness. A moment of awe struck even without my loveable cranes. I was still hopefully pushing the review button. Mental notations were made to remind myself to keep the faith, that I had been in this situation hundreds of times back in my career days. 

Initially distant flocks crossed in front of the moon, and thoughts were made to capture various images just in case I might convince my artist friend, Joyce Meyer, to sandwich if I couldn’t fulfill my visualizations. Over the years she has made about a half dozen “sandwiches” for me due to my ignorance of post production technology.

In the midst of those thoughts a few cranes began flying much closer to us to land just a few hundred yards across the marsh. With no way of knowing if any had been captured silhouetted against the incredibly beautiful “supermoon”, I continued to keep shooting until complete darkness had settled in. 

About an hour before sunrise we returned to the muskrat lodge to await any early activity. As I stood outside the car waiting for light and bird movement, those “trumpets from the orchestra of evolution,” as Aldo Leopold poetically described their haunting calls, began in earnest. Within moments I was surrounded with an unforgettable experience of sound. From either side of the graveled road, and from above as a nearly invisible flocks flew over. This was truly a moment of auditory heaven.

Eventually morning broke and I could easily capture cranes landing near enough for some nice photographs. In time, though, the curtains closed as the cranes, little by little, flock by flock, lifted from the marshlands to head toward the stalk fields. After a breakfast of hearty pancakes we made the four hour drive back home to the prairie where we were greeted by an anxious dog and a deafening quiet away from those syncopated sounds from the marshes. 

After a few friendly pets I rushed to the computer to insert the card and was graciosly greeted by cranes bathed in golden light and far more images than I would have ever taken had the camera monitor worked. Eventually I worked my way through some 800 images, or about 29 and a half rolls of Kodachrome, a tedious process that produced 80-some keepers that included many of sandhills silhouetted against that gorgeous supermoon. Dreams granted many times over!

The Balm of Dawn

Initially I was rather discouraged, and perhaps “rather” isn’t quite strong enough to convey my feelings. You see, I had visualized an image for a week or so after we discovered that the beautiful meadow of cone flowers in the Big Stone National Wildlife Refuge had bloomed, long enough ago that many blossoms were already showing their age. Crinkled petals, some showing brownness on the edges of the delightful pink. In short, there wasn’t much time left to capture my idea.

My intentions were rather simple, for I’ve envisioned a simple softness of fog with the defusing warmth of a rising sun providing a bit of hazy backlight to this expansive meadow of pink. Summer fog, which happens frequently in the lowlands of the prairie, isn’t uncommon over the wetlands and prairie around dawn much like it does in the Boundary Waters, rivers and lakes. This meadow is just up the rise from the broad waters of the West Pool, which is a flooded basin managed for protection of waterfowl and other aquatic avians.

A Cormorant skips across the waters of the West Pool with a dawn breakfast in its beak.

Then, there’s this: It has been awhile since I’ve ventured out for pictures before dawn, somehow losing the habit of being up to greet what the late naturalist and photographer Edwin Way Teale called “nature’s finest balm.” Yes, dawn. Perhaps it’s an “age thing.” 

My dream of a foggy image is somewhat different since I’ve photographed these cone flowers religiously since moving to Listening Stones Farm a dozen years ago. After a scorching day the thought of a rising fog had me up and into the pickup about a half hour before sunrise. My intensions and excitement took an immediate hit because a dense cloud bank was covering the eastern sky. Since I was already up and headed to the Refuge, why turn back? 

Despite my disappointment I still eased from the truck with my trusty Nikon and wandered through the grasses and flowers making a few half-hearted images. Hardly anything worth remembering. My files are loaded with cone flowers from this meadow, including a really nice senior picture of the daughter of friends. Which wasn’t the point. My visualization was the point.

I could spend hours watching Black Terns ply the waters.

Perhaps Teale’s entire quote is worth noting: “For the mind disturbed, the still beauty of dawn is nature’s finest balm.” Taking this to heart would be my new challenge. 

After a deep breath, birds of various species were seen skimming across the still waters of the West Pool while above me Cormorants were scurrying by to their secret potholes, prehistorically shaped fishers silhouetted against the colorful, cloudy canvas of sky. Solitary Great Blue Herons made curved-neck flights across the muted skies. The skies were alive! It was then I remembered catching the gaping mouth and awkward warnings from a female Night Hawk on a distant outcrop. This didn’t have to only be about cone flowers and fog.

At the far bend of the motor trail I caught a Cormorant bounce-splashing across the surface with a small fish firmly captured in its beak. Kingbirds and a Bobolink moved across the grassy prairie trying to hide from the cameraman. Ring-billed Gulls and Black Terns provided nearly an hour of entertainment at the bend of the motor trail, playing in a nice reflected, colorful light. Terns were attempting their athletic poetry of dipping their bills into the waters as they sped across the surface. This alone can capture my attention for time on end.

Flights of White Pelicans are usually delightful to observe.

Of course, being in the refuge meant White Pelicans were around, although far fewer in numbers than the cormorants. The two fishing pals make an interesting contrast in almost all ways … color, shape and beauty of flight. They seems to ply the same spaces in search of nourishment with the Cormorants diving out of sight and the pelicans often teaming up to corner their prey. It was here at the bend of the motor trail where both frequent. Last autumn I caught hundreds of pelicans in military-like formations crossing the West Pool in murderous mayhem. Squadrons of them, numbering several across, all easing eastward across the waters. The next day there wasn’t a pelican in sight. Apparently I’d stumbled upon a last feast before migration.

Eventually it was time to move along so I drove around the last big bend toward the riverside parking lot hopeful of catching perhaps a wood duck. This portion of the Refuge is along the debris choked Minnesota River. I would find a single Pied-Billed Grebe in a limb reflection and a Green Heron that posed beautifully for me. All that remained was that protective Night Hawk.

It’s always a joy to see a Green Heron, and usually they’re more skitterish.

This was certainly a delicate mission for you don’t want to unnecessarily rile up nature, and particularly such a rare bird. We had initially spied her over the weekend when we had stopped at a flat outcrop to show a former exchange student ball cacti and were confronted by the “hissing” female. While Night Hawks are graceful and incredibly stunning in flight, hovering high in the sky before diving at nearly breakneck speeds, on land their extremely weak legs make it a challenge to move. 

She was still there and immediately flopped across the granite to defend her well hidden nest. Hastily I made about a half dozen images while standing several feet away where I hoped not to be considered a serious threat. Although I tried to be quick and unobtrusive, I had no desire to cause her unnecessary strife and tension. 

The increasingly rare Night Hawk, awkward on land, defends her nest near the outcrop.

Thanks to the various birds, including the awkward Night Hawk, my dawn foray was delightful and successful. Teale’s “balm” had worked wonders. And since my dear mother once gifted me with his “Journey Into Summer” as a teenager, here’s one last Teale passage that perhaps summed up my feelings: “Our minds, as well as our bodies, have need of the out-of-doors. Our spirits, too, need simple things, elemental things, the sun and the wind and the rain, moonlight and starlight, sunrise and mist and mossy forest trails, the perfumes of dawn and the smell of fresh-turned earth and the ancient music of wind among the trees.” 

Amen!

Flirting With Destiny

Was destiny in the cards? Serendipity? On a morning when I felt it best I be out of the house I ended up in familiar digs, leaving a favored fishing spot to raise my camera once again in nature. Funny how that works. This venture began with an eye toward an eagle’s nest near the Marsh Lake dam, one I’ve photographed a few times over the past several weeks. This is a haunting setting, a nest built high within the branches of a weathered and whitened row of cottonwoods alongside the wetland. Weathered and whitened cottonwoods line both sides of the slough.

Although the rain hampered the vision somewhat it was still easy to see the eaglets that are now perhaps as large as their parents. Both were hopping on the gigantic wooded nest, stretching their broad wings high and wide. Briefly I wondered if one would actually take flight. Across the wetland the parents were perched side by side keeping eyes on the youngsters across the way.

Swallows were buzzing around, and I loved the old log and its reflection. Would a swallow do a dip? Yes! `Stark and simple.

Then it was to the dam itself where I quickly became engrossed in trying to capture Black Terns dipping their beaks into the surface of the Minnesota River. A few weeks ago at the Sand Lake NWR I just missed capturing a swallow doing the same. In the midst of working the terns a glance skyward caught a huge pod of white pelicans gliding gracefully overhead toward Marsh Lake. Trying to capture an image from inside the cab of the pickup tested my recent lack of yoga. 

An umbrella of densely packed clouds were joined by rain pelting the windshield as I headed up the rise toward the fish-bone-surfaced gravel road. A quick glance across the lake revealed a vast horizon of acres of deep green vegetation stretching across the formerly carp infested shallow waters. A shrouded haze stretched across the vegetated waters as my thoughts turned to capturing a long string of gliding pelicans, their white bodies and black wing tips easing across this plain of aquatic flora, contrasting with the green foliage and bluish haze.

It was author Shiva Negi in his “Freedom of Life” who suggested that intention determines destiny. Would this be the time and place?

A sunset over the headwaters of the Minnesota River was blessed by two swallows, an anxious wait since the sun was sinking quickly.

While holding that thought I tucked tail and headed past the eagles toward down the county gravel. Thanks to my dear partner, Roberta, and her desire for “new roads,” I took a left at the “T” thinking I might be closer to the highway home than if I took my normal route. It was a dead end, so I maneuvered the pickup around and headed back toward the Marsh Lake road. Does intention determine destiny? There it was again, so I turned back onto the dam road to see if perhaps another pod of pelicans might glide across the lake toward the island they inhabit. That mix of stark green and bluish haze was just too strong to pass up. After  arriving at the dam, I backed the truck down the pathway on the dike and eased the window down to wait.

Within moments another long and sweeping pod of pelicans came easing across the windshield, stretching long across the horizon just as I had imagined. And, yes, they were headed up the lake in a near perfect composition. Destiny? Serendipity? Nature in perfect symmetry and harmony; an image that spoke of natural poetry!

Serendipity, for this was simply a beautiful surprise finding the swallows so perfectly placed!

Moments later, as I was heading home, thoughts of how various species of birds have blessed my images over the years by inexplicably turning mundane landscapes toward a higher level. Each time, I recalled, it was a matter of melding the natural composition with the help of some natural avian enhancement. Over the years I’ve had great help from swallows. Twice near the headwaters of the Minnesota River, and again on a foggy morning over Stoney Creek just east of Ortonville. 

Two old photojournalism adages came to mind: Animals, be they human, birds or otherwise, are creatures of habit, so if they do something once they most likely will do so again; and, always be prepared by planning your image around available light and composition. Those pelicans were a case in point, but so was focusing on a floating log believing a swallow would once again dip to sip nearby. Could I await the cruising swallows during a beautiful and calm sunset at the headwaters of the Minnesota River?

Serendipity? I believe this differs from destiny because it is typically just blind luck. Which brings me to the sweet swallows that somehow miraculously appeared in my Stoney Creek image. It wasn’t until I was back home processing a morning shoot that I actually noticed two swallows perfectly situated within the image. Even without their help, the composition, lighting, snaky fog hovering over the bend of this shallow creek would have made a fine image. That pair of swallows took it to another level. Pure luck!

Destiny? As if Negi was correct on his definition of the word, the pelicans appeared to ease across the Marsh Lake horizon!

That, I believe, is the difference between the two. There isn’t much you can do about serendipity while destiny requires knowledge, patience and a will to succeed. Certainly there is some luck involved. Would another pod of pelicans come back over Marsh Lake that morning? Having seen two different pods fly in that direction gave me hope that another on might come through. I was more than willing to wait awhile, and truthfully, it was less than a minute after I’d parked. This was one time when patience wasn’t needed. I knew the image I wanted and had placed myself in position if and when it might happen. 

Just as Negi had proposed. My intentions had won out resulting in a pleasing image. No, this wasn’t the first time where my feathered friends have helped me create an image that I’d mentally conceived, and I can’t thank Mother Nature enough for all these gifts and blessings she has granted me through the years. Certainly I’ll take serendipity when offered, yet I’ll opt for destiny when intensions are warranted. 

Grasping Joy

Can someone find joy in the South Dakota mudflats? It was Dutch theologian Henri J.M. Nouwen who suggested that joy doesn’t simply happen, rather that is it is something we must choose. Or, find. This thought surfaced recently and caused me to think of what in nature could give me joy. Nature is where I typically turn when that spark of joy is necessary for soothing the soul. 

This thought happened to occur in the midst of a conversation about American Avocets I was having with our head librarian, Jason Frank, who is a dedicated birder and naturalist when he’s away from the stacks. We were chatting about my inability to find one of my favorite shorebirds when he suggested the mudflats around Sand Lake NWR about two hours west in NE South Dakota. With an empty afternoon ahead of us, we headed west.

First came the Avocets, which we found in a flooded field depression not far from Houghton just a few miles from the Sand Lake Refuge. That pair would be the first of a beautiful handful of shorebirds that would occupy our afternoon, and yes, all contributed to blissful joy.

Ah, an American Avocet — our target in the search for joy!

Yet, it was the Avocets that drew us across the prairielands. I’d been missing them. Literally. Earlier this spring there was a brief gathering at the Big Stone NWR where Frank had spotted and photographed a flock he found wading alongside the river. Knowing my love, he had alerted me the following afternoon with his photographs and pinpointed where they were wading. I rushed to the Refuge only to find a locked gate and smoke rising from the thousands of acres of prairie grassland. A spring burn was underway, and continued for the next day or two … just enough time for the flock to fly elsewhere.

Refuge biologist Brandon Semel noted a week or so later that we are actually on the very eastern edge of their natural territories. This was after I had spent a few trips searching the area wetlands where I’d photographed them last summer. Which led me to this more recent conversation with Frank. Like, “Where can I find Avocets?”

Nearly all the flats had sandpipers.

My attraction to these beautiful waders is a strange love story. Back when I was in a forgettable career stretch with a Minneapolis-based ad agency, I found a piece of cottonwood at the studio of a wood artist friend, procured a few wood carving tools and went to work whittling away both wood and ad agency aggravation — whittling away the late night hours when I should have been sleeping. It was during this hobby moment I came upon photographs of this brown-headed beauty of a shorebird with the thin, upcurved bill. My carving was of a rather non-nondescript assemblage of a shorebird and nowhere close to an Avocet. One slip of the knife would have quickly made their narrowest of bills another shaving.

The sandpipers continued to fly first one way, then back.

It wasn’t until a couple of years ago while on the annual Salt Lake Birder’s Tour that I saw my first real life Avocet, thanks to Lac qui Parle SWCD manager Rhyan Schicker. Just before the annual kickoff breakfast she told me there were several wading in a flooded farm field just east of Marietta, home of the annual birding mecca. I rushed out and there they were, even more beautiful in person than in the guide books and magazines. I returned over the next few days for more photographs. Then, the next couple of summers they hovered around here, particularly near some mudflats up by Barry, MN. Not this year, though. We’ve had no rain so the lowlands are bone dry.

Frank suggested the Sand Lake possibility. Over the years this interesting refuge has yielded some nice images, although many hours of stalking the “teapot” flying Woodcocks went sorely unfulfilled. Although our little afternoon foray started with a bit of disappointment when we discovered a formerly quite active Blue Heron rookery abandoned. Finding the Avocets turned the tide. Fortunately no highway patrol came upon us, and that the motorists who whizzed by were so understanding and kind. We had parked as close to the road ditch as possible with my lens sticking out the window, yet half the car was still in the road.

Finding this Black-necked Stilt was an unexpected joy!

Our luck and joy would continue. As we came upon the eastern edge of the Sand Lake Refuge we found different flocks of Sandpipers, each being skitterish and prone for quick flights and returns. Then we happened upon a solitary Black-necked Stilt. Far more common to the American Southwest, the guidebook offers only a pencil thin width of territory this far east. We were in it. Joy!

Between the Stilt and the Sandpipers we were enjoying all the offerings as we crept along the shallow waters. When Sandpipers can wade without the water touching their bellies, they’re wading in quite shallow waters. With the taller birds like the Stilt and Avocets it’s difficult to judge the depths. So we merrily wiled away the afternoon before we happened upon pair of White-faced Ibis further down the road. 

As a final capture were the White-Faced Ibis, sharing a mudflat with a sandpiper.

With our past years of wet spring weather the Ibis seemed fairly comfortable around our area of Minnesota. On that Salt Lake tour a few years ago numerous Ibis were seen at several sites, their bills, unlike the Avocets curved  downward. They flew in mini-V formations from one standing water site to another. This  year? Not a single sighting until we happened upon them in the Dakota mudflats, where they meandered thoroughly unconcerned with the odd guy with the long bazooka of a lens sticking through the car window. Nor was the solitary Sandpiper keeping them company.

Perhaps it would have made wonderful sense to stick around until sunset. However we decided to move on toward home and leave the birds behind in their shallow mudflats. We had been greeted by an Avocet prelude and given benediction by the Ibis, which might mean very little to many. For us sitting in our car on this roadside nave, there was a thorough sense of joy within the high skies of this prairieland “cathedral.” As Nouwen had suggested in his writing, we had chosen our sense of joy and had gone to find it.

Then JAGs Came Calling

T’was a moment when my memory of JAGs surged forth, and it seemed as if his voice was right there in my ear. James A. Geladis was our Managing Editor at the Dubuque Telegraph-Herald back when I started working at my second daily newspaper in the late 1960s. He had this way of looking down his nose at you, his eyes peering over his half-lens reading glasses in what we in the newsroom called “the stare” as he offered a kindly bit of advice. 

Although you might be subject of a stare from time to time, you never wanted to have JAGs offer the same suggestion a second time. In his defense, JAGs was a fine man and just the type of ME a beginning journalist relished. Creativity was essential, and every once in a while you would see him standing at his big window facing the newsroom before he wiggled a finger in your direction. That meant being summoned, and that perhaps he had an idea. 

Moments after my battery died, two tall and gangly sandhill cranes emerged from the grasses to amble down the road in front of us.

Over my two years I got more than a few summons. “What do you think of us starting a youth’s page?” he asked. Calls were made to area high school art and English teachers and a full newspaper page featuring young contributors was created. Or, “We have a lot of very lively elderly people in town, and in the hills and valleys around here,” he said another time. Shortly thereafter I was writing a column we called Lively Elders. Fun stuff. Now I’d be considered a candidate! Although I didn’t get many “stares,” I certainly remember the first one.

En route to a fire out in the distant hills of the Driftless northwest of town right around sunset, I crested one of the hills coming up from a valley, which was common in the Driftless, when I passed by a farmer on a tractor silhouetted by a huge red sun ball. I nearly stopped before remembering the assignment and hurried on toward the fire. Yet, I couldn’t get that silhouette out of my mind, and some 50 years later I can still visually see it. Missed images are sometimes like that.

A pair of sandhill cranes and their youngster forage through the Refuge.

By the time I arrived at the scene the fire was already doused, so I did some interviews of fire chiefs and grabbed a few images and headed back to Dubuque in the dark. After developing the film and making the prints, I wrote a short story that would basically be a cutline. The next afternoon I made a mistake of recounting the passing of the farmer and the red ball sunset. JAGs lowered his chin, looked over those half-frame glasses and said, “Never ever pass up a picture!” 

I’ve used his advice ever since, and have had a decent history of giving my photo editors some nice feature images over the years, and twice came in second in the annual regional “clip art” contests of the NPPA while working at the Denver Post. 

Besides the sandhill cranes, picturesque swans offer many photographic opportunities.

Now in the present; we were at the Sherburne National Wildlife Refuge Monday morning where I had just finished capturing an image of a pair of swan pens (the technical name for a female swan) and their cygnets easing through the cattails when my camera battery suddenly expired. My camera was dead. No problem, for I’ve always carried a charged spare in my camera bag. Except this time. I felt inside all the compartments and even turned the bag upside down to give it a good shake. Yes, I had faithfully charged the batteries but somehow failed to place them into the bag! And good ol’ JAGs came calling!

We were only about halfway through the Refuge motor trail when I realized I was done for the day. Then, as I dejectedly started the car, a pair of sandhill cranes suddenly popped out of the grass not 15 feet away to waddle down the graveled loop road in front of us like a pair of tall, gangly drunken chickens. They would not yield the right-of-way, and waddled on for about 60 meters before eventually veering off the road and into the grasses. I was being dissed by sandhill cranes! 

Despite JAG and his imagined nagging and stare, I did what any sane fellow would do in the 2020s … picking up my cell phone and trying to make do. It was a sad “make do” by the way, for I didn’t opt for one of those incredible cell phones destined to make cameras obsolete. 

We pulled into the Refuge the evening before where this “blue hour” image was captured. What a beautiful evening to be wandering through the Refuge!

To make matters even more dire, we continued to pass picturesque swans, a pair of bald eagles high in a deadwood moored tree in the swamp (that was reflected in perfectly stilled waters) and even more sandhill cranes on a rise just around a distant bend. Not only did we have a beautiful hue in the stilled waters, Sherburne is known for having both ample swans and sandhill cranes, and both were why we had rented a nearby motel room the night before. 

Indeed, my sunset images from the night before were cool, and so were all the flowers we captured in bloom. A couple of songbirds were caught, too, including a warbler. Our photo foray up to that point had been excellent, even as the sun was setting the night before. We even had a blue light image of a pod of sleeping yearling swans! And, if there was time, we had designs to venture further north to see if we could capture some yellow and showey ladyslippers. 

All of which was for naught. 

A pod of yearling swans asleep in the “blue hour” after the sunset.

Once home I found my two fully charged batteries on the desk of my studio office Guess where they are now? One is in the camera, one is the bag, and my third is on the charger! 

And JAGs had thankfully eased back into his office chair with his half smile, fully confident that this would never happen again. While it was darned good to hear from the old editor after all these years, and to note that his advice was spot on, my mind was cluttered just a bit with all those missed images back at Sherburne. I can only hope I won’t be as haunted of the misses as I’ve been through the years of missing that red ball sunset! 

A Break in the Silence

Her “wuk … wuk” cries of alarm and the flutter of feathers as she crossed the lawn to one of our islands of trees would have been equal an overhead flight of a jet airliner only a few days earlier. Despite their secretive nature, an aroused pileated woodpecker has a way with sudden alarm.

This unexpected visit on our suet feeder brought an end to my concern I’d felt earlier after  my two mile walk on our gravel road late last week when barely a sound was heard beyond the crunch of my footsteps on the gravel and crusted snow. Were we this alone here in the vast horizontal grandeur? Were the sounds of the skeins of geese flying overhead days before nowhere to be seen nor heard? Where was the sudden burst of flight from the flock of snow buntings that have captured the edge of the graveled roadside? Even the cattle at a farm to the north were not lowing to break the silence of a cold, stilled winter morning. Walking in such silence was strange and unsettling. 

My walk seemed a prelude to the polar vortex now settled in over the entire continent. By this past weekend it was considered unsafe at any age to be outside and especially on a two-mile walk. Perhaps the countryside was even more silent in those days since. Nothing much was moving, not even a mouse. Joe Pye would have noticed.

This week we were pleasantly surprised by a pileated woodpecker that came to wrap itself around the suet feeder on our deck.

The sudden and unexpected flight of the pileated was certainly an exception, and a wonderful surprise a day or two later. It began after I had decided to brew up a pot of split pea soup for dinner, which necessitated a walk out to the studio/garage to our freezer for a hunk of pork hock. When I stepped through the door a batch of birds lifted from beneath the feeder tree. A junco or two, sparrows, a red bellied woodpecker and a pair of nuthatches. All lifting with as much fashion and form as a well tuned choir collectively standing to sing. 

Above the flutter of the choir, though, was the escape of the lone pileated woodpecker, huge and black, it’s beautiful red head bobbing as it squawked and beat its wings in its telltale undulating bouncy flight away from the feeder tree to fly across the lawn. There is no mistaking a pileated woodpecker.

After our first sighting, it flew to one of our tree islands where this image was made.

This prompted the gathering of my camera with the long lens to hoist from the studio along with that hunk of pork. I excitedly told Roberta of the pileated, and we began doing surveillance at the various eastern windows near the feeder while I pulled together the soup. About a half hour later she came rushing into the kitchen with a stage whisper, “It’s here! On the deck feeder!”

Sure enough, and I grabbed the camera with the 600 mm lens. Our octagon window in the bathroom was an excellent “blind” and several images were made before it decided to dip and dive off to the beautiful aged-old elm tree hugging the east side of my studio. There it bounced up and down the trunk, stopping briefly to look around before facing the bark where it seemed to note something of interest.

My first thought was, “Oh, no! Not my elm!” You don’t have to walk too far into the oak savanna at Bonanza to see the damage a pileated can do to a tree. I’ve often considered setting up a blind adjacent to the trail to capture an images at that tree, and the major drawback is there hardly seemed to be any fresh chips being added to the pile.  

Our bathroom window is an excellent “blind,” a mere few feet from the feeder.

All of which brought back a memory from so long ago. While working as a stateside photojournalist with the Denver Post, I had just covered an environmental conference in Crested Butte where one of the presenters was Nina Leopold, daughter of one of my guiding “lights”, Aldo Leopold, author of “A Sand County Almanac.” His writing helped guide me back toward nature and wild things. Nina had a flight back to Milwaukee and I was driving home to Denver, and she had accepted my invitation for a ride to the airport.

Among the topics discussed in that long, wintery drive was pileated woodpeckers, along with my desire to finally see one. Though they were rare in the early 1970s, perhaps they’re more so even now. Nina painted some beautiful mental images for me, perhaps from her years of visiting her father’s sand country farm that is now a historical site near the foundation she helped form. 

Several years later after we had moved to Minnesota for an editorial position with Webb Publishing, I would finally see one along the Mississippi backwaters near where we had moved. Sightings have been nearly non-existent since, and have always been a noted moment in the years that followed.

Initially I thought, “Oh, no! Not my elm!” after it grasp the bark of the tree next to my studio.

Other than a brief glimpse while driving down the Lake Road, or at an artist’s home along the lake, I actually spied one in our grove one morning a few years ago through the kitchen window while brewing a cup of tea. A worker once said he had spotted one along the edge of the grove although his comment was met with disbelief. Yet, with our acreage of old trees we might have some prime pileated territory. If so, why have our sightings been so rare?

Perhaps they have already settled in since pleated are noted for their covert shyness. Our feeder bird is quite attentive, flying at the slightest sound. We’ve seen it numerous times since, either on a nearby tree or on the deck feeder where it will grasp and circle itself around the little cage of suet to peck away. Hopefully this is an omen, for according to legend pileated woodpeckers are said to be bearers of good fortune and luck, two wonderful attributes a person can always use.

A Foggy Count

A quick peak through the window after rising before dawn Saturday morning offered a view of what prairie people call a “short world.” Fog shrouded the farm. In a half hour the plan was to meet up with (John) Palmer at the Big Stone Lake State Park office where we would cover our pie-shaped assignment for the annual Audubon Christmas Bird Count (CBC). It could have been worse. Just a year ago the CBC, which would have been my first, was pretty much canceled due to a heavy overnight snow with drifts halfway up my garage doors. 

After a tasty mug of my smoky Lapsang Souchong tea, my binoculars were fetched and I headed to the car. My camera and 600 mm lens were already packed. Five minutes later I pulled in behind Palmer’s car and we were off on what we both believed would be a slow morning of identifying and counting various bird species. Would the chilly fog cause birds to hide deep in the prairie grasses and trees? Would we actually be able to see well enough to even count and identify whatever birds we might see or hear? Truthfully, we were heading off with more concern than confidence.

Our lone Belted Kingfisher perched above a patch of open water in the Meadowbrook area of Big Stone Lake State Park.

Palmer is new to the area having just completed his first summer as assistant manager at the state park. Many of the roads we were to cover were unknown to him, and some would be new even to me if we canvassed accurately. We were responsible for an area between Big Stone Lake and U.S. 75, and from the Clinton road down to and including the city limits of Ortonville. We would have five hours to complete our task before the volunteers, under the direction of Jason Frank and Brandon Semel, biologist with the Big Stone National Wildlife Refuge, would meet at Lingonberries for the summary.

Each piece of the circular pie was fairly well defined. Joining us on the hunt for an elusive Bobwhite Quail (the inside joke, for the group I would later learn) and other species of note would be Douglas Pierzina, Brandon Semel, Curt and Sara Vacek, Allison Parker, Gena Leksche, Jason Frank along with me and Palmer. Bill Frank and Meg Scholberg were on feeder watches.

Palmer and I skirted the very top of our pie first, taking what we would later learn wouldn’t be frowned upon as a quick spin down the paved county road in search of a flock of shoulder-hugging Horned Larks or Snow Buntings. Typically both are prevalent along the country roads about now, and birds I had seen recently, yet there wasn’t a one to be found. In Clinton, Lake Eli was frozen over and the Swans that were here a few weeks ago had migrated. We saw no Crows or even Sparrows in our drive through town.

We took the first left once we sped past Clinton’s infamous Zero Street into the countryside to turn onto a marvelous gravel road I had driven past hundreds of times and never driven. It was a treasure with numerous wetlands on either side along with a few Wildlife Management Areas (WMA) that seemed inviting. Some with enough woods for Wild Turkeys and all with ample prairie grasses for Pheasants. While Palmer could hear some activity, we didn’t see anything until we spotted an owl on a power pole after leaving our last WMA on the road. Our first bird! Palmer, in a better position than me, spotted “horns” through his binoculars so we counted it as a Great Horned Owl. It was a brief sightings for once the Owl spied us looking, it flew off for a distant hazy clump of trees. But, it was a bird! Our first of the count!

Although this image of Starlings was made a day before the official count, we caught up with the same flock Saturday morning.

We traversed the upper end of our pie going from one gravel road to the next, slowing along tree lined fence rows. We could have stopped at Listening Stones Farm and upped the count significantly thanks to our bird feeders. This wasn’t a contest about who could count the most birds. Rather, it was to catch an accurate, one day glimpse of the overall species of our circled countryside along with the approximate numbers of each. By and by we followed the ravine back to the state park and passed a flock of Starlings along the road that I had photographed the day before. We then counted a solitary Belted Kingfisher in a splice of open water next to the big lake. 

“What’s it doing here at this time of year?” Neither of us had an answer. A later check indicated that most do migrate to warmer climates, although a few birds will stay if they have a source of open water. 

We drove down several lake access roads en route to Ortonville, often slowing with the windows down, sometimes turning off and getting outside of the car to look and listen, pulling binoculars to peer into the grayness in search of whatever sound might come, or to simply slowly glide along a treeline in hopes of seeing signs of bird life. We backtracked from the golf course to some WMAs north of town, then back down the eastern flank of the links. I pointed out wetlands where last spring we counted numerous White-faced Ibis, which Palmer had never seen. We then canvased the town parks, ravines and shoreline. The wetlands along the dike road. Parts of the Minnesota and Wetstone Rivers and their backwaters. I feel we were rather thorough despite the handicap of the fog.

This lone tree just above the Steen WMA was a common site thanks to the fog.

We were picking off one or two of the few species we could find, with the highest numbers being the flock of Starlings and a larger grouping of Juncos in the recently “freed” tree canopy on the ridge above the Lake Road. Among our finds were a few Pheasants, a lone Mallard and Canada Goose, and on the drive back toward Lingonberries from a gas fill up, a Pileated Woodpecker. Palmer and I were rather excited about the Owl, Pileated Woodpecker and especially the Kingfisher. 

When we gathered for the count the overall results were rather surprising for me with 49 total species counted, according to Semel’s tally, with a compilation of 13,000 total birds. “The fog wasn’t ideal,” he said. “I don’t think any of our sightings were particularly unusual, yet it was fun.” Jokes were made about the Quail no one was able to mark on their lists.

A satellite image of our official Ortonville, 15-mile circle. Palmer and I had the purple pie-shaped acre north and west of Ortonville.

Although this was my first CBC, this was an Audubon effort to promote conservation by counting rather than hunting birds, and was initiated in 1900 by Frank Chapman and 26 other conservationists. Some counts have been running every year since then and now happens in over 20 countries in the western hemisphere. Official 15 mile radius circles are pinpointed, with our’s centered around Ortonville. Our circle included parts of South Dakota as well as the Big Stone National Wildlife Refuge and Big Stone Lake State Park. 

After a quick lunch and friendly greetings, Palmer and I headed back to the state park as the fog slowly and finally eased into gloomy daylight. As we motored up the Lake Road, a few Crows and various other birds would sometimes swoop across the highway and we wondered where they had been during our official count. And, where were the three groupings of Wild Turkeys with staked territories we thought we would surely pass along both the ravines and the Lake Road? And, those numerous skeins of Canada Geese we’ve watched fly overhead for weeks? Nuthatches are quite common and we didn’t count a single one, nor did we happen upon commonly seen Downy or Hairy Woodpeckers. Palmer and I wholeheartedly blamed it all on the fog. Oh, and like the others involved in the count, the ever elusive Bobwhite Quail exited our circled “stage” laughing once again!