Seasons Within Seasons

Besides having her first book banned by her local library, author and poet Helen Bevington also wrote a cool little observation of the seasons of poets in a way I can understand: 

To wit: “The seasonal urge is strong in poets. Milton wrote chiefly in winter. Keats looked for spring to wake him up (as it did in the miraculous months of April and May, 1819). Burns chose autumn. Longfellow liked the month of September. Shelley flourished in the hot months. Some poets, like Wordsworth, have gone outdoors to work. Others, like Auden, keep to the curtained room. Schiller needed the smell of rotten apples about him to make a poem. Tennyson and Walter de la Mare had to smoke. Auden drinks lots of tea, Spender coffee; Hart Crane drank alcohol. Pope, Byron, and William Morris were creative late at night. And so it goes.”

Here, in the North … or the upper half of the upper half of our planet … we are seemingly blessed with four celestial seasonal changes, choreographed by sun moments. Two recognizing opposing points, two of equalization. The Winter Solstice followed by a Spring Equinox, then the Summer Solstice followed by the Autumn Equinox. Years divided by an equilibrium of days. We tend to celebrate the Solstices and dismiss the Equinoxes, the only two days and nights of the year when we’re in tune with the Equator … having as much daylight as darkness of night, or night as day. We don’t even lift a glass of wine to celebrate this human brotherhood for whatever reason!

Missing the Sandhill Crane migration, I’ve turned to flowers. Specifically Pasque Flowers.

Supposedly this organization of time would be sweet except that it’s not. Despite the time, our weather rarely coincides with this orchestrated delineation of seasonal change. Case in point, I’ve driven through snow storms in Colorado in June, and enjoyed sunny, 70 degree days in a Minnesota November. We even had a 60 degree day in January, if memory serves me correctly. Before I lose track of my vein of thought, much like Bevington’s realm of poetic seasons, my small take on the ways of the world is that there are any number of multiple seasons. 

My seasons seem to loom around significant sightings of nature. Such as bird migrations, or the appearance of various forbs in the prairie grasslands and in the woods. These past few weeks two of my typically noted seasons seemed a bit skewed. The first skew was the early sighting of a wild turkey fluffed in sexual finery back in the middle of March on a grayish, snowy day. This was followed by not seeing the first appearance of a Pasque Flower until the last week of April.

I’ve been chiding myself for missing the Sandhill Crane migration in central Nebraska this spring, and noting that the white-fronted and snow geese migrations that seemingly happened annually around here apparently passed right over us. Twice I witnessed their strange, haphazardly drawn out skeins high in the sky, stretching across our sky-wide “inner umbrella” for miles in a distant flyover. Not a single skein seemed to have taken notice of the wetlands nearby and in particular in the one just over the hill from my home prairie that has hosted several such migrations over the years. Blame perhaps can be tied to most of the nearby wetlands being frozen in multiple-acre sheets of ice. Yet, those seasonal events I typical note sped right on by.

Sometimes the “seasons” seem skewed, like seeing a wild turkey fluffed in his sexual finery earlier than one would expect.

Without the “seasons” of avian flocks, I’ve turned to wild flowers, and truthfully, this isn’t such a bad choice for I seem to follow the seasonal floral awakenings annually, typically beginning with Pasque Flowers and concluding sometime in the fall with the last of the stark blue Asters. 

Earlier in March, and then into April, I stopped by my “pasque hill” numerous times to no avail. Then, finally, about a week or so ago they poked through with their hairy stems and soft, blue to violet blossoms to awaken my springtime here on the prairie. The first day I found one. Yes, one. On the entire hill. Returning the second night there were three clumps. Seemingly there wasn’t enough warmness in the air nor enough sunshine to have the hill become dotted with the small, violet blossoms. Ah, but every year is different, and this year may go down as the grayest and dampest year in some time ­– realizing that 100 miles north they were still having snow a week ago, and 100 miles south the sun filled the blue sky with rays of hope and the grass was green.

Yet, this sighting of Pasque Flowers was simply a start. On the heels will come Bluebells in the grove, then Prairie  Smoke back in the prairie … on and on we’ll go, though the orchids and cone flowers, the bee balm through to the Asters come late September.

Once again evidence of the Snow Geese appeared overhead in skeins that stretched across the sky, though this year they passed us by.

I’m certainly not alone, for like Bevington’s poets, many of us define our seasons by various sightings within nature. For example, a naturalist friend defines her seasons on mushroom observations, and believe me, morels aren’t the first nor the only fungi found in the wild. Some birder friends gleefully exclaim joy on their first sightings. Not of Sandhills, but of warblers, for one, and wading birds for another. For my late wife, Sharon, her first sighting of Great Blue Herons was the beginning of her Spring. Our seasons are as different as we are as individuals, and what could be more defining or beautiful?

Frankly all of this is simply a lark that helps step us through a given year. Despite my rather odd recognition in the seasonal changes of nature, I have yet to turn down an invitation for a bonfire celebration of the Winter Solstice complete with a study beverage and a forked stick with deer flank searing over a roaring bonfire. Or, for that matter, a glass of chilled Sauvignon Blanc on what my Swedish friends celebrate with delicious feasts of plenty and fire and call their Midsummer Eve. In the end I guess I’m simply a man for all seasons. 

Now, about those Equinoxes … 

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About John G. White

Somewhat retired after a long award-winning career in newspapers (Wisconsin State Journal, Dubuque Telegraph-Herald, Denver Post and a country weekly, the Clara City Herald). Free lance photographer and writer with credits in more than 70 magazines. Editor with various Webb Publishing magazines in St. Paul, and a five year stint as editorial director at Miller Meester Advertising.

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